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St John's Library/Beaton/A3/1 contains:
<-- See earlier
16 Typescript letter to Henry Sherek
17 Typescript letter signed to Beaton in London from New York
18 Typescript letter to Arnold Weissberger
19 Typescript letter most probably to John Van Druten
20 Typescript letter signed to Cecil Beaton in London
21 Autograph letter signed to Beaton from London
22 Typescript letter signed to Beaton in London
23 Typescript letter signed to Beaton from London
24 Typescript letter to Cecil Beaton
25 Typescript copy of letter to Grace Kelly in New York
26 Typescript letter signed to Cecil Beaton in London
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Papers of Sir Cecil Beaton

Title Autograph letter signed to Beaton from London
Reference A3/1/21
Creator Hal Burton
Covering Dates 14 July 1952
Extent and Medium 5 p.; paper
Content and context

The one great quality of Gainsborough Girls is its "period charm". Burton puts the failure of the Brighton production down to three faults: Beaton's dialogue, the miscasting of Angus, and a production that sacrificed everything for the sake of efficiency. Burton approves of the rewritten dialogue which "strikes a happy balance between the 18th century and modern English". He is insistent that Beaton's "personal idiom", be preserved at all cost. A successful period play must convey "Ease, Grace, and Precision". The director must have knowledge of the period to convey a "sense of the past" or else the production will fail.

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