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King's/PP/REF/1 contains:
<-- See earlier
50 'Daumier'
51 'Claude Le Lorain'
52 'Why do we frame our pictures?'
53 'Paul Potter'
54 Short story
55 Chance patterns in nature and man-made patterns in art
56 The architecture of Ancient Greece
57 'The early Flemish painters'
58 'The philosophy of Impressionism'
59 'The Rucellai Madonna'
60 'Velasquez'
See later -->
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The Papers of Roger Eliot Fry

Title Cambridge University Extension Lectures: Ten lectures on early Florentine painting
Reference REF/1/65
(former reference: REF 18/1-5, REF 19/6-10)
Covering Dates 1894–1910 (First given 1894. Given in this format ?1900s)
Extent and Medium 10 envelopes; paper
Content and context

Autograph manuscript series of lectures. The files contain references to slide illustrations throughout.

King's/PP/REF/1/65 contains:
1 'I. Transition from Classical to Modern Art'.
1 envelope; paper.
1894–1909
2 'II. Change to Neo-Christian Art'.
1 envelope; paper.
1894–1909
3 'III. Giotto'.
1 envelope; paper.
1894–1909
4 'IV. Giotto'. With marginal annotations in an unidentified hand. Contains a crayon and ink drawing of one of the Three Kings kneeling, on sheet 26.
1 envelope; paper.
1894–1909
5 'V. Trecento Siennese'.
1 envelope; paper.
1894–1909
6 'VI. Trecento Florentines'. Contains a pencil sketch of head of woman sleeping on the reverse of sheet 19, and a list of art books on the reverse of the final sheet.
1 envelope; paper.
1894–1909
7 'VII. Transition to Quattrocento, Ant[onio] Veneziano, Starnina, Ghiberti, Lor[enzo] Monaco, Ant[onio] Vite, Masolino'.
1 envelope; paper.
1894–1909
8 'VIII. Antonio Vite, Masolino da Panicale'.
1 envelope; paper.
1894–1909
9 'IX. Masaccio'.
1 envelope; paper.
1894–1909
10 'X. Fra Angelico'.
1 envelope; paper.
1894–1909

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