| King's/PP/REF/1 contains: |
|---|
| <-- See earlier |
|---|
| 44 |
'On the encouragement of design in British manufactures' |
| 45 |
'Burlington House private view' |
| 46 |
'Pictures and the modern home' |
| 47 |
'Venetia revisited' |
| 48 |
'The five best pictures in the world' |
| 49 |
The aesthetics of musical appreciation |
| 50 |
'Daumier' |
| 51 |
'Claude Le Lorain' |
| 52 |
'Why do we frame our pictures?' |
| 53 |
'Paul Potter' |
| 54 |
Short story |
| See later --> |
|---|
|
The Papers of Roger Eliot Fry
| Title |
'The Rucellai Madonna' |
| Reference |
REF/1/59
(former reference: REF/3/9) |
| Covering Dates |
1895–1900 (Date has been estimated from handwriting.) |
| Extent and Medium |
18 sheets in envelope; paper |
|
| Content and context |
Autograph manuscript lecture on J.P. Richter's attribution of the painting to Duccio. REF argues for Cimabue. The lecture contains slide references. |
| No further on-line information. |
|
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