| King's/PP/REF/1 contains: |
|---|
| <-- See earlier |
|---|
| 123 |
'Monte Carlo. Form and Sentiment' |
| 124 |
Untitled lecture |
| 125 |
'East Anglia' |
| 126 |
'Representation in Art' |
| 127 |
'Athenaeum' |
| 128 |
The universality of rhythm |
| 129 |
Simplicity and functionalism |
| 130 |
'History of Art' |
| 131 |
'Drawing or design' |
| 132 |
'The High Ren[aissance] I' |
| 133 |
Assorted papers on art |
| See later --> |
|---|
|
The Papers of Roger Eliot Fry
| Title |
The universality of rhythm |
| Reference |
REF/1/128
(former reference: REF 10/D/3) |
| Covering Dates |
1920–1929 (Date has been estimated from handwriting. 1920s) |
| Extent and Medium |
6 sheets in envelope; paper |
|
| Content and context |
Autograph manuscript on the universality of rhythm as a property of all works of art. Considers poetry, music and painting. |
| No further on-line information. |
|
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