| King's/PP/REF/1 contains: |
| <-- See earlier |
| 107 |
Poussin |
| 108 |
'Somerville Lecture Modern Art I lecture went on with selections from No. V of Principle of Design' |
| 109 |
'Rubens Leeds version' |
| 110 |
'Rubens' |
| 111 |
'Oxford. The Present Situation' |
| 112 |
Two lectures on pictorial design |
| 113 |
'Dunfermline Dec. 24. The Present outlook. Painting and applied art' |
| 114 |
'J. S. Mill' |
| 115 |
'Lecture to London Day Training College. The Subject in Painting' |
| 116 |
'Leeds' |
| 117 |
Two lectures on Modern Art |
| See later --> |
|
The Papers of Roger Eliot Fry
| Title |
Two lectures on pictorial design |
| Reference |
REF/1/112 (former reference: REF 10/C/8-9) |
| Covering Dates |
21 Nov. 1924 (Date the lecture was given, supplied from diary entry.) |
| Extent and Medium |
2 envelopes; paper |
|
| Content and context |
Autograph manuscripts with references to slide illustrations throughout. The lecture was given at Bristol. |
| King's/PP/REF/1/112 contains: |
|
1
|
'I early art'. The lecture refers to the work of Giotto, Duccio, Simone Martini, Pol de Limburg, Pisanello, Brunelleschi, Uccello, Castagno, Masaccio, Piero della Francesca, Botticelli, Donatello, Perugino, Raphael, Michelangelo and Leonardo da Vinci. 1 envelope; paper. |
21 Nov. 1924 |
|
2
|
'II design in modern art'. The text is also headed 'Lecture IV Change to Baroque'; parts of it have been culled from the Slade series catalogued as REF 1/90/4 and 1/91. 1 envelope; paper. |
21 Nov. 1924 |
|