| University/SOC.XV.9 contains: |
| <-- See earlier |
| SOC.XV.9.19 |
Correspondence of Irene Seccombe relating to the hiring and insurance of scores of Poulenc, 'Gloria |
| SOC.XV.9.20 |
Correspondence of Irene Seccombe with Noel Mander relating to the hire of a chamber organ |
| SOC.XV.9.21 |
Correspondence of Irene Seccombe with Ben Newing relating to the hire of scores for Mahler, Symphony No. 8 |
| SOC.XV.9.22 |
Correspondence of Irene Seccombe relating to the hire of scores for Monteverdi, 'Vespers' |
| SOC.XV.9.23 |
Correspondence of Irene Seccombe relating to the hire of scores for Benjamin Britten, 'War Requiem' |
| SOC.XV.9.24 |
Correspondence of Irene Seccombe with M. Marney of Bösendorfer Pianos Ltd relating to the hire of a piano |
| SOC.XV.9.25 |
Correspondence of Irene Seccombe relating to a recording by EMI Ltd of Patrick Hadley, 'The Hills' |
| SOC.XV.9.26 |
Correspondence of Irene Seccombe relating to the engagement of Mary Wells and Alfreda Hodgson to sing in Verdi, Requiem and Elgar, Dream of Gerontius |
| SOC.XV.9.27 |
Correspondence of Irene Seccombe relating to the dates of the Society's performances at the Aldeburgh Festival |
| SOC.XV.9.28 |
Correspondence of Irene Seccombe relating to recordings made for EMI Records Ltd. |
| SOC.XV.9.29 |
Correspondence of Irene Seccombe relating to a performance of the Elgar Violin Concerto by Yehudi Menuhin |