Janus: Records of the Cambridge University Musical Society

University/SOC.XV.9 contains:
<-- See earlier
SOC.XV.9.15	Letters and cards from Benjamin Britten and Peter Pears to David Willcocks, Irene Seccombe and 'Philip' mostly concerning performances in Cambridge and Aldeburgh
SOC.XV.9.16	Correspondence of David Willcocks concerning performances of Imogen Holst, 'Hymn of Jesus' and Benjamin Britten, 'Voices of Today'
SOC.XV.9.17	Correspondence of Irene Seccombe relating to legislation respecting the licensing of performances and recordings of music
SOC.XV.9.18	Correspondence of Irene Seccombe relating to seating arrangements in St John's College Chapel
SOC.XV.9.19	Correspondence of Irene Seccombe relating to the hiring and insurance of scores of Poulenc, 'Gloria
SOC.XV.9.20	Correspondence of Irene Seccombe with Noel Mander relating to the hire of a chamber organ
SOC.XV.9.21	Correspondence of Irene Seccombe with Ben Newing relating to the hire of scores for Mahler, Symphony No. 8
SOC.XV.9.22	Correspondence of Irene Seccombe relating to the hire of scores for Monteverdi, 'Vespers'
SOC.XV.9.23	Correspondence of Irene Seccombe relating to the hire of scores for Benjamin Britten, 'War Requiem'
SOC.XV.9.24	Correspondence of Irene Seccombe with M. Marney of Bösendorfer Pianos Ltd relating to the hire of a piano
SOC.XV.9.25	Correspondence of Irene Seccombe relating to a recording by EMI Ltd of Patrick Hadley, 'The Hills'
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