| RCS contains: |
| <-- See earlier |
| Y305P |
South Africa 1936 (Lord Hewart Album) |
| Y305R |
Du Cap au Zambèze. Notes de voyage dans l'Afrique du Sud, Genève: Baden-Baden printed, 1884 |
| Y305S |
Wren Robinson Collection on South Africa |
| Y305T |
Howell Wright South African Collection |
| Y305U |
South Africa, Bechuanaland and Basutoland circa 1902 |
| Y305V |
The Progress of H.R.H. Prince Alfred Ernest Albert through the Cape Colony, British Kaffraria... in the year 1860 |
| Y305W |
Anvil found on the site of the Van Rensburg massacre |
| Y3061A |
Views in Newfoundland, 1899-1911 |
| Y3061B |
Views in Newfoundland, circa 1880-1904 |
| Y3061E |
James Bell Newfoundland Collection |
| Y3062A |
Sports, Pastimes and Pursuits of Canada: Cariboo Hunting |
| See later --> |
|
The Progress of H.R.H. Prince Alfred Ernest Albert through the Cape Colony, British Kaffraria... in the year 1860
| Title |
The Progress of H.R.H. Prince Alfred Ernest Albert through the Cape Colony, British Kaffraria... in the year 1860 |
| Reference |
GBR/0115/Y305V |
| Creator |
Noble, Roderick, fl 1860-1861 |
| Covering Dates |
1860–1861 |
| Extent and Medium |
17 images in 2 volumes; Copy A is in fair condition although the photographs have faded. Copy B has stained and worn binding and the photographs have faded more. |
| Repository |
Cambridge University Library: Royal Commonwealth Society Library |
|
| Content and context |
|
A quarto, 180 page volume recording the visit of Prince Alfred, later Duke of Edinburgh, second son of Queen Victoria, to South Africa. Bound in a decorative purple cover, it appeared in 1861. It was illustrated with actual photographs stuck in; ten reproduce paintings by Thomas Bowler (1812-1869) or Thomas Baines (1822-1875); the remainder are actual photographs of events of the Prince's visit (1, 7-11 and 13).
The following notes draw extensively on Bull and Denfield (1970), which notes the existence of two variant editions (p.167). The Library has two copies which on examination show several differences; the careful analysis of these in the following list were made by the late Ian Knights, Information Officer of the Royal Commonwealth Society, on 18 February 1977. The Library's two copies are indicated by A and B: A being a complete copy, B is a poorer copy, lacking plate 13.
The photographers whose work is included were:
Arthur Green (1832-1873)
Arthur Green was born in Halifax, Nova Scotia, Canada, in 1832. He moved to the Cape in the late 1840s. In 1853 he was employed as a clerk in the Office of Orange River Sovereignty at Bloemfontein. He moved to Grahamstown in 1854. He toured Kaffraria as a photographer in the mid-1850s and had a studio in Grahamstown in 1857. He disposed of this studio in 1861. In the same year he took over Frederick York's Cape Town studio, but the studio closed due to financial problems in 1862. Green opened portrait rooms in Longmarket Street, Cape Town, in November 1862. However, he became insolvent and his equipment was sold in 1864. Thereafter, until he left the Cape in 1866, he worked as a photographic assistant. He went to New York, again working as a photographic assistant. In 1873, still in New York, he died of consumption (Bull and Denfield 1970, pp.193-194). Plate 7.
Joseph Kirkman
Joseph Kirkman was a commercial photographer active in South Africa. In 1859 he opened a studio in Greenmarket Street, Cape Town. For a time he was in partnership with William Barclay. In 1860 Kirkman and Frederick York were employed by the Government and the Harbour Board to photograph the tilting of the first truck of stone off the Breakwater by Prince Alfred. In 1866 Kirkman disposed of his studio negatives to Lawrence and Selkirk. He set up a studio in George in 1867, but in December 1868 he returned to Cape Town with a studio at 2 Adderley Street. Kirkman's attempt to reestablish himself was not successful. He retired from professional photography in 1870 and left for New Zealand in 1879 (Bull and Denfield 1970, p.201). Plates 1-6, 12 and 16-17.
Frederick Arlington Viler York (1823-1903)
Frederick Arlington Viler York was born in Bridgwater, Somerset, England, in 1823. He was apprenticed to a chemist in 1839. He worked as a 'Medical Galvanist' in Bath in the 1850s. He moved to Cape Town, South Africa, in 1855, where he worked as a professional photographer. He had learnt photography from Mr. Cogan, of Bath, before he left England. On his return to England in 1861 he was employed by the London Stereoscopic Company. He photographed Prince Alfred and, in 1863, the Prince of Wales. He started his own business in Lancaster Road, London, in 1864. He specialized in magic lantern slides and educational lecture sets. In 1882 the business was renamed York and Son. A branch was also opened in Friarn Street, Bridgwater. In 1869 York became a member of the Royal Photographic Society. He was on the Council of the Society 1879-81. York died in December 1903 (Bull and Denfield 1970, pp.218-221). Plates 8-11 and 13-15.
Copy A was given by the Seafarer's Education Service in 1969, Copy B by J. Bourdillon in 1919.
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Access and Use
|
Please cite as Cambridge University Library: Royal Commonwealth Society Library, The Progress of H.R.H. Prince Alfred Ernest Albert through the Cape Colony, British Kaffraria... in the year 1860, Y305V |
| Further information |
|
The full citation for this volume is:
Noble, Roderick (1861), 'The progress of H.R.H. Prince Alfred Ernest Albert through the Cape Colony, British Kaffraria, The Orange Free State, and Port Natal, in the year 1860', Cape Town: Saul Solomon.
Further information on this volume and the photographers can be found in:
Bull, Marjorie and Denfield, Joseph (1970), 'Secure the shadow: the story of Cape photography from its beginnings to the end of 1870', Cape Town: Terence McNally.
Indexed
This item level description was entered by NE and MJC using information from the original typescript catalogue.
|
| Index Terms |
| Africa |
| South Africa |
| Noble, Roderick (fl 1860-1861) |
| RCS/Y305V contains: |
|
1
|
Prince Alfred at the Table Bay Breakwater. 80 mm across. Copy A: decorative border around vignette is printed in blue with a mauve tinge; the leaf decoration within it, at corners, is printed in red. Copy B: the colours are reversed, and whilst the red appears the same shade, the blue is less mauve. Creator: Kirkman, Joseph, fl 1859-1879, photographer. |
1860 |
|
2
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Cape Point. 165 x 105 mm. Photograph of the painting by T.W. Bowler. Creator: Kirkman, Joseph, fl 1859-1879, photographer. |
1860 |
|
3
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The Reception in Adderley Street, Cape Town. 155 x 120 mm. Photograph of the painting by T.W. Bowler. Creator: Kirkman, Joseph, fl 1859-1879, photographer. |
1860 |
|
4
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The Reception at Government House. 170 x 110 mm. Photograph of the painting by T.W. Bowler. Creator: Kirkman, Joseph, fl 1859-1879, photographer. |
1860 |
|
5
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The Royal Observatory, Cape of Good Hope. 125 x 80 mm. Photograph of the painting by T.W. Bowler. Though nominally related to the Prince's visit, this is dated 1861 by the artist, as can be seen with the aid of a magnifying glass. Creator: Kirkman, Joseph, fl 1859-1879, photographer. |
1861 |
|
6
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The Berg Valley, from Drakenstein. 165 x 95 mm. Photograph of the painting by T.W. Bowler. Creator: Kirkman, Joseph, fl 1859-1879, photographer. |
1860 |
|
7
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Graham's Town, from the West. 195 x 135 mm. Creator: Green, Arthur, 1832-1873, photographer. |
1860 |
|
8
|
The Reception of the Prince by a Burgher Escort near Queen's Town. Copy A: 153 x 105 mm, all corners trimmed square. Copy B: 151 x 105 mm, top left and top right corners oval trimmed; the slightly narrower print results in the deletion of the two burghers, one at each end. Creator: York, Frederick Arlington Viler, 1823-1903, photographer. |
1860 |
|
9
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The Prince's Interview with the Tambookies. 200 x 135 mm. Somewhat clumsy contemporary retouching has partially scalped the Prince's horse's mane. Creator: York, Frederick Arlington Viler, 1823-1903, photographer. |
1860 |
|
10
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Moshesh and his Counsellors. 120 x 145 mm. This print, and Y305V/13, are attributed in the list of illustrations in the volume to Frederick York and Joseph Kirkman. |
1860 |
|
11
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The Prince and his first Wildebeest. Copy A: 152 x 110 mm. The Prince is partly facing the camera, and he is looking down on a dead wildebeest, its head supported by a uniformed African, and another African stands behind looking on. Behind the Prince is a wagon, the horse drawing it partly visible, and a Malay can be seen in it. Another wagon, very blurred, is in the background. Copy B: 158 x 112 mm. The Prince is virtually in profile. The Malay and the horse are not visible, but a very blurred African figure is seen in the other wagon. Creator: York, Frederick Arlington Viler, 1823-1903, photographer. |
1860 |
|
12
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The Hunt at Hartebeeste Hoek. 197 x 135 mm. Photograph of the painting by T. Baines. Creator: Kirkman, Joseph, fl 1859-1879, photographer. |
1860 |
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13
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The Prince's travelling equipage. 150 x 105 mm. Missing from Copy B. Creator: York, Frederick Arlington Viler, 1823-1903, photographer. |
1860 |
|
14
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The Zulu War Dance in Natal. 155 x 110 mm. Photograph of the painting by T. Baines. York included his name on each corner of this photograph. These can be seen in copy B clearly on the left hand corner, more indistinct on the right, but copy A lacks the right hand credit and that on the left appears to have been partly deleted, viz. the o and r of York are missing. Creator: York, Frederick Arlington Viler, 1823-1903, photographer. |
1860 |
|
15
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Inauguration of the Table Bay Breakwater. 155 x 110 mm. A York credit appears in copy B but not in Copy A. The trimming of A is slightly different, and the angle at which the camera was fixed appears to vary slightly. Creator: Baines, Thomas, 1820-1875, artist and explorer. |
1860 |
|
16
|
The South African Public Library and Museum. Copy A: 122 x 80 mm. contains virtually all the details in Copy B, 131 x 85 mm. It is therefore either a reduced print or a different photograph of the original. Photograph of the painting by T.W. Bowler. Creator: Kirkman, Joseph, fl 1859-1879, photographer. |
1860 |
|
17
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The Embarkation. 200 x 135 mm. Photograph of the painting by T. Baines. Creator: Kirkman, Joseph, fl 1859-1879, photographer. |
1860 |
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