| Title |
Views in Lourenço Marques [i.e. Maputo] |
| Reference |
GBR/0115/Y30468S |
| Creator |
Various |
| Covering Dates |
1895–1908 (The dates are approximate.) |
| Extent and Medium |
32 images |
| Repository |
Cambridge University Library: Royal Commonwealth Society Library |
|
| Content and context |
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One of the earliest firms to settle in Lourenço Marques, the Lazarus Brothers arrived in 1899 and remained for nine years until 1908, when they returned to Lisbon to continue photographic work from a studio in the Rue Ivans. During their time in Lourenço Marques they concentrated mainly on scenic views and later on fashion photography. In 1901 they published an album entitled 'Souvenir of Lourenço Marques.'
C. Manners was a commercial photographer active in Lourenço Marques circa 1905. No references to Manners have been found in the 'Delagoa Directory'.
A collection of thirty-two loose prints, measuring approximately 205 x 155 mm. and mounted on card. The majority of which are captioned and signed by the photographer. Showing views in and around Lourenço Marques at the turn of the century, including street scenes, individual buildings and native dances. At this period, the town was just starting the economic expansion which relied on the harbour of Delagoa Bay (one of the finest in East Africa) on whose western shores it lies. The town on the site dates from around 1850 when the original settlement was destroyed; in 1876 it was designated a village and in 1887 a town. Its economic potential could only be exploited from 1895 when the railway connection with Pretoria was opened and from this time onwards extensive harbour works and rebuilding were undertaken and land reclaimed from the swamp on which the town partially lies. Electric street lighting was introduced in 1898 and the Cockburn Lighthouse, which had caused considerable construction problems and whose completion added greatly to the safety of the harbour, was in use from the beginning of 1901. The central market was opened in 1903 and the tramway in 1904. Most of these photographs, however, were taken before the large scale reclamation and building work changed the face of the city.
There are several variant signatures on the prints themselves and these may well indicate different stages of the Lazarus Brothers partnership. Many are signed 'J. Lazarus' alone and this may be later work since the earliest prints (see print 1, taken in 1900) record both brother's initials. It is possible that M. Lazarus left for Lisbon at an earlier date although all entries in the Delagoa Directory record both brothers. At some stage they also operated a branch in Beira although the dates of this are unknown. When they quitted Lourenço Marques, the business was sold to one Sidney Hocking who practised professionally until at least 1925 or 1926 (1926 is the latest issue of 'The Delagoa Directory' in the RCS library).
It is possible that the prints stamped with C. Manners' signature (prints 31-2) were not taken at Lourenço Marques.
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Access and Use
|
Please cite as Cambridge University Library: Royal Commonwealth Society Library, Views in Lourenço Marques [i.e. Maputo], Y30468S |
| Further information |
|
For an extensive later collection of photogravure reproductions of Lourenço Marques and Mozambique in general see Rufino, José dos Santos (1929) 'Albums fotograficos e descritivos da colonia de Mocambique', 10 vols., Hamburg.
Indexed
This description was entered by MJC using information from the original typescript catalogue. Photographs are in good condition unless otherwise specified.
This collection is available on microfiche: Africa, fiche number 111.
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| Index Terms |
| Africa |
| Malawi |
| Mozambique |
| Maputo |
| South Africa |
| Lazarus Brothers |
| Manners, C (fl 1905) photographer |
| RCS/Y30468S contains: |
|
1
|
Review at Komatie Poort, Sept. 28 1900. 204 x 153 mm. Showing a group of unidentified military figures on horseback at the Grand Review to celebrate the King of Portugal's birthday. The occupation of the Boer base at Komatie Poort, situated 55 miles northwest of Lourenço Marques, at the end of Sept. 1900, marked the end of organised Boer resistance during the South African War. Signed 'J & M Lazarus, Photos. Lço Marques.'. Fair condition, but considerable overall fading.. |
1900 |
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2
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Lourenço Marques. 205 x 156 mm. View from the sandy hills to the northeast looking down on to Lourenço Marques and the estuary of the English River as it enters Delagoa Bay. The old Powder Magazine is in the foreground with wharfs and the dock area beyond. Signed 'J. Lazarus. Photo.'. |
1899–1908 |
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3
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Delagoa Bay, Pier and Old Fortress. 192 x 139 mm. Showing part of the harbour with lighters berthed at the stone wharf, and the single storey building of the Old Fort in the background. Signed 'J.E.M. Photo' (presumably 'J. et M. Lazarus'.). |
1899–1908 |
|
4
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Passenger Pier, Lourenço Marques. 207 x 152 mm. Showing the wooden passenger pier at Lourenço Marques with small boats moored beside it and steamers at anchor in the harbour. Signed 'J & M Lazarus, Photos'. |
1899–1908 |
|
5
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Customs Enclosure, Lourenço Marques. 204 x 155 mm. Showing the road leading into the Enclosure with a new-looking single storey crenulated building at the right. Whether this is the Customs House is unclear. A new building was proposed as early as 1904 but for several years the department was housed in rental accommodation while the new premises was built on the site of the old Railway Station. They were not occupied until 1911 by which time the Lazarus Brothers had left Lourenço Marques. Signed 'J & M Lazarus, Photos'. |
1899–1908 |
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6
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Port Captain's Office. 204 x 155 mm. Showing the single storey building with a flagstaff behind and the harbour beyond. Above the verandah is the legend 'Capitania Do Porto'. Photograph taken from the Rue Do Tte. Almeida just north of the Passenger Pier. Signed 'J & M Lazarus. Lourenço Marques'. |
1899–1908 |
|
7
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Old Powder Magazine, Lourenço Marques, (Delagoa Bay). 191 x 140 mm. View from near the seashore up towards the hill on which the magazine stands. Signed 'J.E.M. Photo'. |
1899–1908 |
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8
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British Consulate, Lourenço Marques. 205 x 156 mm. Showing the two storey square building, a smallish compact house with verandahs on both floors. The garden, in which the Union Jack flies from a flagpole, is surrounded by metal fencing. The consulate was situated in the centre of Lourenço Marques, at the heart of the commercial district. Signed 'J.Lazarus Photo'. |
1899–1908 |
|
9
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The British Residency. 194 x 140 mm. View similar to the preceding print but taken from a greater distance and with an expanse of sandy land in the foreground. Signed 'J.E.M. Photo'. Good condition apart from small tear in top left hand corner.. |
1899–1908 |
|
10
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Cathedral, Lourenço Marques. 207 x 153 mm. Showing the newly built cathedral with part of the harbour visible in the background. There are signs that this photograph was taken before the completion of the building: the clock is as yet without hands and statues have not yet been placed in the niches beside the door. Presumably it is Nossa Santiora da Conceicao situated in the Praça Serpa Pinto. Proposals for a new cathedral were made in 1902, but it is not certain when it was completed. Signed 'J. Lazarus Photo'. |
1902–1908 |
|
11
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Prison, Lourenço Marques. 204 x 155 mm. Showing the prison block situated at the junction of the Avenida Dom Carlos and the Avenida Castilho. The partially completed tramlines date the photograph to some time before Feb. 1904 when the tramway system was opened. Signed 'J.Lazarus Photo'. |
1899–1904 |
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12
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The E & So. A. Tel. Co.'s Cable Station. 206 x 155 mm. View looking across the lawn towards the two storey wooden building with veranda which housed the East and South African Telegraph Company. The exact location in the town is unknown, but it was probably on land behind the residential quarter at Reuben Point. Signed 'J and M Lazarus, Lourenço Marques'. |
1899–1908 |
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13
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The Club, Lourenço Marques. 204 x 155 mm. View of the substantial verandahed premises on Avenida Aguiar which opened in 1899. Within a few years it became a private hotel. Signed 'J. Lazarus Photo'. |
1899–1908 |
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14
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Avenida Aguiar. 201 x 153 mm. View looking down the avenue to the harbour and Delagoa Bay with the club in the left foreground. Signed 'J. Lazarus Photo'. |
1899–1908 |
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15
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Rua Canto e Castro, L. Marques. 206 x 153 mm. View looking along the tree-lined street with a verandahed house in the left foreground. The exact location is unknown but it may be part of the avenue which ran north from the Delagoa Bay Iron Works. Signed 'J.Lazarus Photo'. |
1899–1908 |
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16
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Rua Araujo. 191 x 138 mm. View looking along the unsurfaced street lined with small single storey houses which ran parallel to the harbour frontage between the Praça Azeredo Gardens and the Praça Mousinho D'Albuquerque. A note on the mount reads 'as it was in 1895 now entirely different with large buildings erected'. The absence of any signature on the print makes it possible that the photograph was indeed taken around this time before the Lazarus Brothers had set up their business. The only two photographs listed in 'The Delagoa Directory for 1899' (its first year of issue) are Julio Jose Rebeiro and Raul Da Silva. |
1895 |
|
17
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Kiosks, L. Marques. 207 x 153 mm. Showing two of the kiosks which housed small businesses and stood at the corners of the main squares. These probably stood on the Rua D.Luiz on the northern end of the Praça Mousinho D'Albuquerque, with the Governor's Secretary's building and the Civil Police Station in the background. If this is so, then the absence of tram lines would date the print to pre-1904. Signed 'J.Lazarus Photo.'. |
1899–1903 |
|
18
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The Berea; Residential Quarter of Lourenço Marques. 194 x 140 mm. Showing the fine residential houses with beautiful gardens set among grassland on the hillside to the north-east of the town. Signed 'J.E.M. Photo'. |
1899–1908 |
|
19
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Reuben Point Road, Lourenço Marques. 204 x 155 mm. View looking along the tree-lined road which runs out of the town to the residential quarter of Reuben Point. Signed 'J.Lazarus Photo'. |
1899–1908 |
|
20
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Ponta Vermelha (Reuben Point) Delagoa Bay. 207 x 153 mm. View from above Lourenço Marques looking along the foreshore towards the headland of Reuben Point with residential houses on top of the hillside. Signed 'J.Lazarus Photo.'. |
1899–1908 |
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21
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Cocoa-nut palms, Delagoa Bay. 206 x 152 mm. View looking along coconut palms silhouetted against the skyline with small plots of cultivated land in the foreground. Signed 'J.Lazarus Photo.'. |
1899–1908 |
|
22
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Delagoa Bay by moonlight. 153 x 207 mm. View of the bay with moonlight shimmering on the waves and ships at anchor. Probably a photograph taken in daylight and deliberately printed dark. Signed 'J.Lazarus Photo.'. |
1899–1908 |
|
23
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Robber gang, Sabie, Lourenço Marques. 207 x 153 mm. Showing three African men and a boy in heavy chains. The Sabie referred to here is probably 20 miles east of Lydenburg and in the Transvaal rather than Lourenço Marques. Signed 'J. and M. Lazarus, Photos'. |
1899–1908 |
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24
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[African woman and child]. 150 x 207 mm. An African woman with a baby on her back and with a wide round container with a narrow base balanced on her head. Ethnic group unidentified. Signed 'J. & M. Lazarus, Photos Lço Marques'. Fair condition with some dirt marking.. |
1899–1908 |
|
25
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Mapoch [sic] girl. 153 x 207 mm. Study of a Chopi girl, with hair shaved round the head up to the level of the temples, seated on a rock by a river. She wears a beadwork necklace and loincloth and bracelets on the wrist and upper arm. Signed 'J. & M. L.'. |
1899–1908 |
|
26
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'Mshongolo,' Delagoa Bay Kafirs' Dance. 206 x 152 mm. Showing a group of Chopi men performing a stick dance, watched by a crowd of women in the foreground. The meaning of 'mshongolo' has not been determined but is possibly a corruption or earlier form of 'msahone', the Chopi term for a dancing place or performance. See Hugh Tracey, 'Chopi musicians, their music, poetry and instruments' (London, 1970), pp. 85-6. Signed 'J. & M. Lazarus, Photos'. |
1899–1908 |
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27
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A Machopi Dance. 206 x 153 mm. Showing a group of Chopi stick dancers, with spectators gathered in a circle around them, and musicians in the background. Signed 'J. & M.L. Lço M'. |
1899–1908 |
|
28
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Chopi stick dancers. 207 x 152 mm. Showing a row of Chopi stick dancers performing in front of a corrugated iron warehouse building. Signed 'J. & M. L. Lço M.'. |
1899–1908 |
|
29
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Travellers in B.C.A. A mid-day Halt. 199 x 146 mm. Showing a group of African travellers resting beside a road in British Central Africa. Signed 'J. & M. Lazarus, Lourenço Marques and Beira'. The cardboard mount is stamped 'J. & M. Lazarus, Lourenço Marques and Beira'. Fair condition.. |
1899–1908 |
|
30
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View of Ruo River, B.C.A. 146 x 200 mm. View looking along the river on the Mozambique-Nyasaland border, with thick forest on either bank. Signed 'J. & M. Lazarus, Photo' and stamped on mount as in Y30468S/29. Fair condition.. |
1899–1908 |
|
31
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[Private residence, Lourenço Marques?]. 205 x 130 mm. View looking over a garden towards a bungalow with a corrugated iron roof and carved wooden verandahs on which stand two European men and a woman. The mount bears the legend 'Wishing you a happy New Year' and is also stamped 'C. Manners', presumably the photographer's name, though he is not listed in the 'Delagoa Directory' between 1899 and 1926. |
1899–1926 |
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32
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[Interior private residence, Lourenço Marques?]. 205 x 153 mm. Showing the drawing room of a house, presumably that in Y30468S/31. The mount shares a similar imprint. |
1899–1926 |