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RCS contains:
<-- See earlier
Y3021C Goepel Collection
Y30222A Building work in Islamabad, Pakistan, 1960s
Y30222B Scenes in Pakistan 1960s
Y30222C Pakistan industrial scenes
Y30223A Bangladesh photographs
Y3022A Frith India Series Vol. I
Y3022AA-BB Original photographic views of Calcutta old and new used in illustrating Mr Montague Massey's 'Recollections of Calcutta for over half a century', in aid of the Red Cross Fund
Y3022B Views of India
Y3022C-E Photographs of India
Y3022CC Views at the Marble Rocks, Jubbulpoore [i.e. Jabalpur], 1860s
Y3022CCCC Bombay photographs
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Frith India Series Vol. I

Title Frith India Series Vol. I
Reference GBR/0115/Y3022A
Creator Frith, Francis, 1822-1898, photographer
Covering Dates circa 1850-circa 1879
Extent and Medium 150 images; Some plates in the album were damaged by flood in 1980 and Y3022A/122-23 were irreparably stuck together. Apart from those prints suffering flood damage, the collection is generally in excellent condition.
Repository Cambridge University Library: Royal Commonwealth Society Library
Content and context

A collection of albumen prints, probably by Johnson and Henderson, mounted in an album. The album was labelled on the front cover 'Frith Series India Vol I' and was bound by Thacker and Co. of Bombay. It contains views in Bombay and the Bombay Presidency and a series of ethnographical studies, with handwritten captions. The collection has been completely remounted and rebound. The work is of a uniformly high standard. The condition of the prints would argue that although the original photographs were taken in the mid-1850s, the prints were probably not made until perhaps the 1870s. Y3022A/40-150 have been listed in less detail than the earlier photographs.

Francis Frith never personally visited India, but is known in many cases to have acquired collections of photographs from various sources for inclusion in the series of worldwide views marketed by his firm. It is not entirely clear whether all the photographs in this album are the work of Johnson and Henderson (whether individually or in collaboration), and it is quite possible that the work of other Bombay photographers is included. Certain of the ethnographical views are definitely by the pair, since some of these portraits, credited, appeared in 'The Indian amateurs photographic album', whose 24 issues appeared between December 1856 and October 1858, each number containing three pasted-in albumen prints. The ethnographical studies formed a series entitled 'Costumes and characters of Western India'. One of the most interesting aspects of this early work is the use made of these photographs by Johnson a few years later. Declaring that 'photographic delineations of the numerous peoples and tribes frequenting ... Bombay ... have long been desiderata both among students of geography and ethnography, and the lovers of art, notwithstanding partial attempts to supply them made by various local amateurs', he published 'The Oriental races and tribes, residents and visitors of Bombay' (1863). By a fairly crude use of montage and retouching he placed many of the figures seen in 'The Indian amateurs photographic album' and this album against Bombay backgrounds (some of these being drawn from landscape photographs of Bombay which also appear in the album) or against foliage somewhat hastily sketched in on the plate. A projected third volume of his work never appeared. Several of the ethnographic prints in this album appear with bleached out backgrounds evidently worked on in preparation for the making of montages. Some biographical details relating to Johnson and Henderson's period in Bombay are known.

William Johnson appears to have first arrived in Bombay as an uncovenanted civil servant working in the Judicial Department in about 1848, and occupied various clerical and assistant's posts until his departure around 1861. During this period he also operated as a professional photographer, first advertising his daguerreotype studio in Grant's Road, Bombay in 1852. From around 1855 he appears to have abandoned the daguerreotype in favour of a wet collodion photography, and was a founder member, secretary and editor of the journal of the Bombay Photographic Society in the mid-1850s. His skill was acknowledged by the Society's journal, which in the issue of Feb/June 1856 praised his 'full plate portraits and groups [which] were full of life and vigous [sic], - the positions artistic, the focussing and tone excellent'.

William Henderson was also a member of the uncovenanted service and is first recorded in the almanacs as a clerk in the Military Board Office in 1840. In the mid-1840s he appears to have entered a private commercial firm, becoming bookkeeper for Peel, Cassel and Co., a position he occupied until around 1856. He first advertised as a professional photographer in the Bombay almanac of 1855, and although the business continued to be advertised in Bombay until around 1868, Henderson himself appears to have left Bombay in about 1857. Although the two photographers collaborated on the ethnographical series of views, it is unclear how far their partnership extended into their general professional life.

References in the photograph descriptions to 'Edwardes' are from 'The Gazetteer of Bombay City and Island', v. III (1910), edited by S.M. Edwardes.

Access and Use

Please cite as Cambridge University Library: Royal Commonwealth Society Library, Frith India Series Vol. I, Y3022A

Further information

Johnson published: Johnson, William (1863), 'The Oriental races and tribes, residents and visitors of Bombay', London: W.J. Johnson.

Indexed

This item level description was entered by NE and MJC using information from the original typescript catalogue.

This collection is available on microfiche: South Asia, fiche number 1-4.

Index Terms
Asia
India
Frith, Francis (1822-1898) photographer
RCS/Y3022A contains:
1 Bombay from Mazagon Hill 15034. 251 x 199 mm. A view from the hillside, with trees in the foreground, looking over the roofs of bungalows towards the sea. The angle of view looks approximately NE, with the spit of land on which is situated Sewri Fort visible in the distance. A very similar view, probably taken on the same occasion, is reproduced in Edwardes, vol 3, p 43, and is there dated 1860. 1860
2 Bombay [from Mazagon Hill] 15035. 250 x 199 mm. Similar view to Y3022A/1, but with more vegetation in foreground. 1860
3 Bombay Medical College 15036. 250 x 199 mm. View of the Grant Medical College from the Parel Road. A T-shaped building in the Gothic style with pointed windows and turrets at each corner, the college was founded in memory of Sir Robert Grant (Governor of Bombay 1835-38). The foundation stone was laid in 1843 and the building opened in 1845; it stands in the grounds of the Jamsetji Jijibhoy Hospital. 1850–1879
4 Bombay Jamsetjee Jeejeebhoy Hospital 15037. 247 x 199 mm. A view looking northwards across the Babula Tank towards the Jamsetji Jijibhoy Hospital. The Grant Medical College is visible at the left. The buildings are of a similar style and were built during the same period. The main building of the hospital contained 18 wards with a total of 237 beds for the relief of the native poor of all classes. The East India Company paid half the costs, the rest being supplied by the merchant and philanthropic Sir Jamsetji Jijibhoy (1783-1859). This photograph is reproduced in Edwardes, vol 3, p 188, and there dated 1864. 1864
5 Bombay Cathedral 15038. 247 x 194 mm. View looking west across Bombay Green towards St Thomas' Cathedral. The building, a mixture of the classic and Gothic style (Maclean, p 229) was originally constructed in 1715-18 on the site of an abortive earlier attempt to build a church for the citizens of Bombay. It appears to have had no specific dedication but was occasionally referred to as 'St James'. In 1814 Bombay became an Archdeaconry of the See if Calcutta and the church was dedicated to St Thomas. The See of Bombay was created in 1835 and in 1838 St Thomas became the Cathedral church. In honour of this event the low belfry was rebuilt into the tower seen in this print. For a view of the original belfry and tower, see Robert Melville Grindlay, 'Scenery costume and architecture, chiefly on the western side of India' (London 1830, facsimile edition 1892) plate 7. This photograph is reproduced in Edwardes, vol 3, p 241 and is there dated 1864. 1864
6 Bombay [Cathedral] 15038. 245 x 194 mm. A similar view to Y3022A/5, but taken from a slightly different angle and from further away. More of the Green is visible in the foreground and one can also look directly down Church Gate Street at the right. This photograph is reproduced in Edwardes, vol 3, p 243 and there dated 1864. 1864
7 Bombay [Cathedral] 15040. 242 x 195 mm. Similar to Y3022A/6 but taken from slightly further away, from near the Town Hall steps. 1864
8 Six part panorama of Bombay Part 1 15041. 246 x 198 mm. View looking north over the rooftops of Bombay from the tower of St Thomas' Cathedral. In the centre of the print, running north, is Bazar Gate Street, with the NE corner of the Maidan visible at the top left of the photograph. This print forms the central portion of a six part panorama of the city from the cathedral extending 180°. Y3022A/12, 13, 8, 10, 11, 9 provide a continuous view from west to east. 1850–1879
9 Six part panorama of Bombay Part 2 15042. 250 x 200 mm. View looking ESE from the Cathedral tower, with the Green in the foreground and shipping at anchor in the harbour beyond. 1850–1879
10 Six part panorama of Bombay Part 3 15043. 251 x 199 mm. View looking NE from the Cathedral tower over the rooftops and towards the harbour. Cross Island is visible in the distance. The section of harbour seen here was largely reclaimed for docks in the following years. 1850–1879
11 Six part panorama of Bombay Part 4 15044. 251 x 200 mm. View looking east from the Cathedral tower, over the Green and towards the Town Hall and Harbour. The Town Hall is in the centre of the print and facing the Cathedral across the Green. Designed by Colonel Thomas Cowper of the Bombay Engineers and financed partly by subscription and partly by government funding it was built between 1820 and 1833. Behind the Town Hall parts of Bombay Castle are to be seen while to the left is the Mint, designed by Major John Hawkins of the Bombay Engineers and built on reclaimed land to the north of Town Hall. The Old Cotton Green in the foreground is seen as it was before Elphinstone Circle was laid out. 1850–1879
12 Six part panorama of Bombay Part 5 15045. 251 x 200 mm. View looking west from the Cathedral tower, over the rooftops and towards Black Bay. Church Lane runs across the picture in the foreground with the junction with Church Gate Street at the right. In the centre middle distance is Outer Church Gate Street with the Esplanade beyond. Photograph reproduced in Edwardes, vol 2, p1 173 and there dated 1864. 1850–1879
13 Six part panorama of Bombay Part 6 15046. 251 x 200 mm. View looking NW from the Cathedral tower. Church Gate Street runs into the print at the bottom left hand corner and forms a junction with Cowasjee Place Street. Looking over the roof tops the open space of the Maidan can be seen, a triangular area bounded by Esplanade, Waudby and Esplanade Cross Roads. At the furthest corner of the Maidan, the Money Institution can be identified, at this period unsurrounded by other buildings (compare with Y3022GG/9).Beyond the Maidan are the Marine Battalion Lines, with Black Bay in the distance. Reproduced in Edwardes, vol 2, p 132 and there dated 1864. 1864
14 Bombay Jumma Musjid 15047. 249 x 198 mm. View from the upper storey of a building on Sheik Meman Street looking across the road towards the Jumma Musjid or Great Mosque, situated a short distance NW of the Crawford Market. Built between 1775 and 1802 over a tank in the garden of a Kankani moslem, the mosque is a quadrangular tiered construction of brick and stone decorated with turrets and ornate balustrades. The mosque was repaired and enlarged in 1837 and from this time date the row of two storey, terrace roofed shops surrounding the building. 1850–1879
15 Bombay 15048. 251 x 200 mm. View looking down on baled cotton stacked on the Cotton Green at Colaba (see Y30222A/11) with a row of unidentified buildings beyond and shipping in the harbour in the background. 1850–1879
16 Bombay Malabar Hill 15049. 245 x 195 mm. View looking towards the summit of the hill, with Indians posed among the rocks in the foreground. The building on the summit of the hill appears to be the Malabar Government House, situated on the southern point of the Malabar promontory and with fortifications beneath it connected with the harbour defences. For a history and description of the residence see Edwardes, vol 3, p 291 – 293. 1850–1879
17 Bombay Old Black Bay 15050. 247 x 196 mm. View looking north eastwards across Black Bay, with Indian sailing vessels at anchor, large stockpiles of felled timber on the foreshore and the houses of north Bombay in the distance. The hills on the Indian mainland can be seen in the distance. The Grant Medical College can be made out in the right background. Reproduced in Edwardes, vol 2, p 165 and there dated c 1860. 1860
18 Bombay Walkeshwar Tank 15051. 246 x 196 mm. View looking across the tank (one of the few remaining in modern Bombay) towards the houses and temple spires and domes on the farther side. The tank (also known as the Banganga Tank) is situated on Malabar Hill. 1850–1879
19 Bombay Walkeshwar Temples 15052. 194 x 246 mm. View looking across the tank towards the dwellings on the farther side, with the temple beyond. Dedicated to Walkeshwar, the Sand Lord, this temple was destroyed by either Muhammadans or the Portuguese and this building, built of stone and surmounted by a tall carved dome, was erected c 1715 by Rama Kamat, a member of the Gaud Sarasvat or Shenvi community. A flourishing Brahmin community grouped itself in the area and, as protected against the brigands for whom Malabar Hill was a refuge, Hindus of other sects were permitted to erect temples and shrines in the area. For a fuller history of the area, see Edwardes, vol 3, p 359 – 363. 1850–1879
20 Bombay Munguldass Temple, Walkeshwar 15053. 195 x 246 mm. View looking up a steep flight of steps between two rows of houses towards the dome of a temple. 1850–1879
21 Mahaluxemee [Mahalakshmi] Temple, Bombay 15054. 250 x 199 mm. View looking across rocky ground (the seashore?) towards the Mahalakshmi Temple at Breach Candy on the West of the island, north of Malabar Hill. Dedicated to the Goddess of Wealth and built in the 1830s, the temple is an amalgam of Indian and western styles, bearing a strong resemblance in general structure to St Martin in the Fields, the prototype for so many British churches in India. For a more detailed note on the temple, see Edwardes, vol 3 p 356 – 357. 1850–1879
22 Mahaluxemee [ Mahalakshmi] Temple, Bombay 15055. 251 x 200 mm. View looking across grassland dotted with palms towards the temple and surrounding buildings. 1850–1879
23 Bombay Mahaluxemee [Mahalakshmi] Temple 15056. 246 x 194 mm. View of the temple and surrounding buildings, probably from the SE. 1850–1879
24 Elephanta Entrance to the caves 15057. 251 x 200 mm. View looking towards the entrance to the Elephanta Caves, a wide and low opening in the rockface with overhanging vegetation and Indian figure posed at the mouth. The island of Elephanta (named by the Portuguese who found a huge stone elephant there) is situated between Bombay Island and the mainland some six miles east of the Fort. The caves were hewn out of the rockface towards the end of the Buddhist period, probably in the eighth century AD. 1850–1879
25 Elephanta 15058. 250 x 197 mm. Interior view of part of the caves, with massive pillars with ribbed cushion pillars carved from the rock in the foreground. 1850–1879
26 Elephanta 15059. 251 x 199 mm. View in the caves, with massive pillar in foreground. 1850–1879
27 Elephanta 15060. 250 x 200 mm. Indian figure leaning against broken column in foreground and the Linga Chapel (see Y3022D/45) in the shadows beyond. 1850–1879
28 Elephanta Caves 15061. 251 x 201 mm. Interior view of the caves, with rear view of two stone lions in the foreground. 1850–1879
29 Elephanta Caves 15062. 250 x 200 mm. View in the caves showing Indian figures posed on the steps flanked by two stone lions. 1850–1879
30 Elephanta Caves 15063. 251 x 200 mm. Showing a wall sculpture in the caves (showing the marriage of Shiva and Parvati?). 1850–1879
31 Elephanta The Vista 15064. 250 x 199 mm. View looking out from the cave entrance towards the sea, with a European figure leaning against the wooden fence in the foreground. 1850–1879
32 Bombay Chowpattee 15065. 250 x 297 mm. View from the foreshore at Chowpatty looking southwards out into Black Bay, with dhows moored near the beach and piles of timber stacked in the foreground. The view appears to be looking towards the place from which Y3022A/17 was photographed. Reproduced in Edwardes, vol 2, p 145, captioned 'Lakri Bandar, Chaupati 1864'. 1864
33 Angria's Colaba [sic for Kolaba] prison 15066. 250 x 200 mm. View looking towards a fortified stone quadrangle. The writer of the original caption has evidently confused the southern part of Bombay Island with Kolaba, the mainland coastal district south of Bombay which was the stronghold of Maratha pirates from the 17-18th centuries. For a more detailed history, see Edwardes, vol 2, p 86 – 110 and 'The Imperial Gazetteer of India' (Oxford, 1908 edn) vol XV, p 355-368. 1850–1879
34 Angria's Colabar [sic for Kolaba] piratical fort 15067. 250 x 201 mm. View looking alone the causeway to the semi-ruined battlements of the Angria fort at Kolaba. 1850–1879
35 Angria's Colabar [sic for Kolaba] temple in the fort 15068. 252 x 201 mm. Showing the carved domes of the temple standing in the overgrown ruins of the pirate fort at Kolaba. 1850–1879
36 Angria's Colabar [sic for Kolaba] temple 15069. 250 x 201 mm. Showing a street scene in Kolaba. 1850–1879
37 Gorabunder [Ghodbander] landing place 15070. 251 x 200 mm. View from the open landing place near the shore looking along the road leading to the collector's lodge (see Y3022A/39) on the hill in the background. With waterfront houses of European style in the left foreground. The placename Gorabunder is not to be found in 'The Imperial Gazetteer of India'; a tentative identification of this location is Ghodbander, a port on the northern coast of Sasotte Island in the Thana District on the left bank of Bassein Creek. The town administered a customs division of five ports in the area. 1850–1879
38 Gorabunder [Ghodbandar] 15071. 250 x 200 mm. View from a hilltop looking over ruined buildings towards the sea (with the Indian mainland beyond). These ruins are possibly the Portuguese architectural remains. 1850–1879
39 Gorabunder [Ghodbandar] Collector's Lodge 15072. 250 x 200 mm. General view of the bungalow at the top of the hill. A heavy square stucco covered bungalow seemingly in a state of some disrepair, the house offers a mixture of European and Indian styles. The building as a whole has something of the appearance of a mausoleum. The curved pitch of the roof runs up to a parapet enclosing a central dome; the parapet, and the four outer corners of the roof, are decorated with small, squat pointed towers. 1850–1879
40 Goa 15073. 250 x 200 mm. 1850–1879
41 Goa Fort 15074. 250 x 200 mm. 1850–1879
42 Goa Portuguese Church 15075. 250 x 200 mm. 1850–1879
43 Goa Monastery 15076. 250 x 200 mm. 1850–1879
44 Goa ruined church 15077. 250 x 200 mm. 1850–1879
45 Goa ruined church 15078. 250 x 200 mm. 1850–1879
46 Poona Hindu Temple 15079. 250 x 200 mm. 1850–1879
47 Poona Parbutti Temple 15080. 250 x 200 mm. 1850–1879
48 Poona Parbutti Temple 15081. 250 x 200 mm. 1850–1879
49 Poona Parbutti Hill 15082. 250 x 200 mm. 1850–1879
50 Poona Parbutti Hill 15083. 250 x 200 mm. 1850–1879
51 Poona Roadside Temple 15084. 250 x 200 mm. 1850–1879
52 Poona on the River 15085. 250 x 200 mm. 1850–1879
53 Poona 15086. 250 x 200 mm. 1850–1879 1850
54 Poona Hindu Temple 15087. 250 x 200 mm. 1850–1879
55 Poona Temple of Simguna 15088. 250 x 200 mm. 1850–1879
56 Poona On the river 15089. 250 x 200 mm. 1850–1879
57 Khandalla [Khandala] 15090. 250 x 200 mm. 1850–1879
58 View at Khandalla [Khandala] 15091. 250 x 200 mm. 1850–1879
59 Khandalla [Khandala] 'Duke's Nose' 15092. 250 x 200 mm. 1850–1879
60 Khandalla [Khandala] Louisa Point 15093. 250 x 200 mm. 1850–1879
61 Bhore [Bhor] Ghat 15094. 250 x 200 mm. 1850–1879
62 On the Bhore [Bhor] Ghat 15095. 250 x 200 mm. 1850–1879
63 Caves of Karlie 15096. 250 x 200 mm. 1850–1879
64 Caves of Karlie 15097. 200 x 250 mm. 1850–1879
65 Caves of Karlie carvings 15098. 250 x 200 mm. 1850–1879
66 Caves of Karlie 15099. 200 x 250 mm. 1850–1879
67 Caves of Karlie 150 15100. 250 x 200 mm. 1850–1879
68 Caves of Karlie 15101. 250 x 200 mm. 1850–1879
69 Caves of Karlie Attendant musicians 15102. 250 x 200 mm. 1850–1879
70 Caves of Karlie 15103. 250 x 200 mm. 1850–1879
71 Caves of Kanheri 15104. 250 x 200 mm. 1850–1879
72 Caves of Kanheri 15105. 250 x 200 mm. 1850–1879
73 Kanheri The Temple 15106. 200 x 250 mm. 1850–1879
74 Kanheri 'Monastery' 15107. 200 x 250 mm. 1850–1879
75 Kanheri Ravine 15108. 250 x 200 mm. 1850–1879
76 Kanheri Double storied Monastery 15109. 250 x 200 mm. 1850–1879
77 Callian Temple of Ambernath 15110. 250 x 200 mm. 1850–1879
78 Callian Temple of Ambernath 15111. 250 x 200 mm. 1850–1879
79 Callian Temple of Ambernath 15112. 250 x 200 mm. 1850–1879
80 Callian Temple of Ambernath 15113. 250 x 200 mm. 1850–1879
81 On the Krishna 15114. 250 x 200 mm. 1850–1879
82 On the Krishna 15115. 250 x 200 mm. 1850–1879
83 On the Krishna 15116. 250 x 200 mm. 1850–1879
84 On the Krishna 15117. 250 x 200 mm. 1850–1879
85 On the Krishna 15118. 250 x 200 mm. 1850–1879
86 On the Krishna 15119. 250 x 200 mm. 1850–1879
87 On the Krishna 15120. 250 x 200 mm. 1850–1879
88 Sattara 15121. 250 x 200 mm. 1850–1879
89 Sattara 15122. 250 x 200 mm. 1850–1879
90 Sattara 15123. 250 x 200 mm. 1850–1879
91 Sattara 15124. 250 x 200 mm. 1850–1879
92 [Temple] 15125. 250 x 200 mm. 1850–1879
93 Krishna Hindu Temples 15126. 250 x 200 mm. 1850–1879
94 Krishna Hindu Temples 15127. 250 x 200 mm. 1850–1879
95 Krishna Hindu Temples 15128. 250 x 200 mm. 1850–1879
96 Krishna Hindu Temples 15129. 250 x 200 mm. 1850–1879
97 Bassien Entrance to Inner Fort 15130. 250 x 200 mm. 1850–1879
98 Bassien St Pauls 15131. 250 x 200 mm. 1850–1879
99 Bassien 15132. 250 x 200 mm. 1850–1879
100 Bassien Archiepiscopal Church 15133. 250 x 200 mm. 1850–1879
101 Bassien 15134. 250 x 200 mm. 1850–1879
102 Bassien St Francis Xavier 15135. 250 x 200 mm. 1850–1879
103 Bassien Interior of the Fort 15136. 250 x 200 mm. 1850–1879
104 Tansa 15137. 250 x 200 mm. 1850–1879
105 Beejapore 15138. 250 x 200 mm. 1850–1879
106 Beejapore 15139. 250 x 200 mm. 1850–1879
107 Beejapore 15140. 250 x 200 mm. 1850–1879
108 Beejapore 15141. 250 x 200 mm. 1850–1879
109 Beejapore 15142. 250 x 200 mm. 1850–1879
110 [Zoroastrian] 15143. 200 x 250 mm. 1850–1879
111 Maratha of the Dekkan 15144. 200 x 250 mm. 1850–1879
112 Parsee 15145. 200 x 250 mm. 1850–1879
113 Nautch Girl 15146. 200 x 250 mm. 1850–1879
114 Mussulmad [Mussulman] 15147. 200 x 250 mm. 1850–1879
115 [Indian women] 15148. 200 x 250 mm. 1850–1879
116 Brahmin Ladies of the Dakkan 15149. 200 x 250 mm. 1850–1879
117 Parbhus Bombay 15150. 200 x 250 mm. 1850–1879
118 [Elderly Indian man and youth] 15151. 200 x 250 mm.
Some surface damage..
1850–1879
119 [Indian man and wife] 15152. 200 x 250 mm.
Some surface damage..
1850–1879
120 [Two bearded and turbaned men] 15153. 200 x 250 mm.
Some surface damage..
1850–1879
121 [Two Indian women] 15154. 200 x 250 mm.
Severe surface damage..
1850–1879
124 [Two Indian women] 15157. 200 x 250 mm.
Some surface damage..
1850–1879
125 Parsee Lady and child 15158. 200 x 250 mm.
Some surface damage..
1850–1879
126 [Two poorly-dressed women] 15159. 200 x 250 mm. 1850–1879
127 Gosadis [Gaddi] 15160. 200 x 250 mm.
Some surface damage..
1850–1879
128 Beni Israel Teachers 15161. 200 x 250 mm. 1850–1879
129 [Two women] 15162. 200 x 250 mm. 1850–1879
130 Parsee Ladies 15163. 200 x 250 mm. 1850–1879
131 Coolies 15164. 200 x 250 mm. 1850–1879
132 Punjaubee [Punjabi] Ladies 15165. 200 x 250 mm. 1850–1879
133 Sepahis [Sipahi] 15166. 200 x 250 mm. 1850–1879
134 Bedouins 15167. 200 x 250 mm. 1850–1879
135 Beloochees [Balochi] 15168. 200 x 250 mm. 1850–1879
136 Nagar Brahmins 15169. 200 x 250 mm. 1850–1879
137 Bhats [Bhati] 15170. 200 x 250 mm. 1850–1879
138 Brahmin Clerk and Mussulman 15171. 250 x 200 mm. 1850–1879
139 Sinarth Brahmins 15172. 250 x 200 mm. 1850–1879
140 'Grinding' 15173. 250 x 200 mm. 1850–1879
141 Canarese [Kannada] Brahmins 15174. 200 x 250 mm. 1850–1879
142 Mango [women] 15175. 200 x 250 mm. 1850–1879
143 [Three women] 15176. 200 x 250 mm. 1850–1879
144 [Three women] 15177. 200 x 250 mm. 1850–1879
145 Parsees [Two women and a child] 15178. 200 x 250 mm. 1850–1879
146 [Man, woman and young girl] 15179. 200 x 250 mm. 1850–1879
147 Snake charmers [three] 15180. 200 x 250 mm. 1850–1879
148 Banians of Porebunder [Porbandar] 15181. 200 x 250 mm. 1850–1879
149 [Three Indians performing a religious ceremony] 15182. 200 x 250 mm. 1850–1879
150 [Three women] 15183. 200 x 250 mm.
Fading at edges..
1850–1879

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