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Manuscripts contains:
<-- See earlier
MS Add.9843 The Papers of Michael Baxandall
MS Add.9845 Papers of Hermann Braunholtz
MS Add.9846 The Cambridge Review: editorial correspondence
MS Add.9851 Papers relating to Daedalus Press poemcards
MS Add.9852 Papers of Siegfried Sassoon
MS Add.9853 Curwen Press Papers
MS Add.9856 Papers of Douglas Grant, chiefly consisting of letters to him from Edmund Blunden
MS Add.9859 Edmund Blunden: Letters to Phyllis Burley
MS Add.9861 Vine Press Archive
MS Add.9862 Correspondence and related papers of Ian Davie, chiefly consisting of letters from Siegfried Sassoon
MS Add.9926 Papers of the Revd Cyril Tomkinson, chiefly consisting of letters from Siegfried Sassoon
See later -->
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Curwen Press Papers

Title Curwen Press Papers
Reference GBR/0012/MS Add.9853
Creator Curwen Press
Covering Dates 1853-1998
Extent and Medium 85 boxes
Repository Cambridge University Library, Department of Manuscripts and University Archives
Content and context

John Curwen started his printing business in Plaistow in east London in 1863 to print music. It was incorporated as J. Curwen & Sons in 1897. Harold Curwen (1885-1949) took over the business in 1914 and began a specialism in well-designed jobbing work. After 1920, Oliver Simon (1895-1956) extended Curwen's reputation for good typography and design to book-work. The Press employed many important artists and designers, notable among whom were Claud Lovat Fraser, Barnett Freedman, Edward Bawden, Albert Rutherston, and Edward Ardizzone.

In 1933 the Curwen Press Ltd separated from J. Curwen & Sons (which continued as a music publisher until 1969). The original directors were Harold Curwen, and Oliver and his brother Herbert Simon (1898-1974). The business suffered extensive war damage.

Owing partly to its costs in London, the business was never highly profitable. In 1964 it merged with M. R. Harley & Co. and in 1965 Basil Harley became managing director. Under him, Curwen developed its business in high-quality colour lithography, notably for natural-history illustration. Letterpress work gradually declined in importance. Curwen Prints Ltd, a workshop for the production of artists' prints, became a separate business in 1968.

In the 1970s various plans were considered, but never carried out, for the Curwen Press to be taken over by other printers. A merger of the letterpress department with the John Roberts Press was likewise planned then abandoned in 1981. The printers' strike of 1980 inflicted a final blow to the firm's financial position. It had a brief respite under a new owner Harry Myers in 1982, but finally went into receivership in 1984.

The collection contains papers of the company and personal papers of Oliver Simon, Herbert Simon, and Basil Harley. These include correspondence; papers relating to specific printing jobs and to types, paper, printing processes, etc.; business papers; and specimens of printing.

Papers of Oliver Simon were acquired about 1970. These included, besides his own correspondence and records of the Fleuron and Signature, much printed matter from the Press.

The Curwen Press's own archives, not apparently systematically preserved, were acquired in 1984.

Papers of Herbert Simon were acquired from his son Robert in 1984. Besides his own papers and a further collection of Press ephemera, these included some original drawings for patterned papers.

Papers of Basil Harley were purchased in 1988.

Some other items were acquired from unidentified sources and from the clearance of the Curwen Press works.

Access and Use

Please cite as Cambridge University Library, Department of Manuscripts and University Archives, Curwen Press Papers, MS Add.9853

Further information

Basil Harley, The Curwen Press (1970)

Pat Gilmour, Artists at Curwen (1977), esp. 9-95 'The Curwen Press'

Alan Powers, Art and print: the Curwen story (2008)

Several articles in Matrix 5 (1985):

David McKitterick, 'Typograpahers tallied: the origin and growth of the Morison Room, Cambridge University Library', pp. 15-22, specif. 17-18 on Curwen

John Dreyfus, 'The Curwen Press collection in Cambridge University Library', 23-30 + 16 plates

Ian Mortimer, Curwen Press types and borders, 8 pp. before p. 33

Noel Carrington, 'Harold Curwen, master printer and craftsman', pp. 33-6.

Associated material. Some further archival material from the Curwen Press composing room was acquired by Ian Mortimer and then in 2010 by the Barbarian Press. An overview of this material is at: http://www.barbarianpress.com/pressnews/pressnews200906.html

This finding aid was prepared by J. F. Coakley in 2010.

Index Terms
Simon, Oliver Joseph (1895-1956) printer
Curwen Press
Bawden, Edward (1903-1989) Painter
Freedman, Barnett (1901-1958) illustrator
Curwen, Harold Spedding (1885-1949) printer
Marx, Enid Dorothy Crystal (1902-1998) artist designer
Ravilious, Eric William (1903-1942) artist
Kauffer, Edward McKnight (1890-1954) artist
Rutherston, Albert Daniel (1881-1953) painter illustrator
Fraser, Claud Lovat (1890-1921) artist author
Tunnicliffe, Charles Frederick (1901-1979) wildlife artist
Ardizzone, Edward Jeffery Irving (1900-1979) artist illustrator
Nash, Paul (1889-1946) artist
Simon, Herbert (1898-1974) printer
J. Curwen & Sons Ltd
Sutherland, Graham Vivian (1903-1980) painter and printmaker
Manuscripts/MS Add.9853 contains:
A Miscellaneous correspondence.
5 boxes.
1918-1984
B Papers relating to individual printing jobs, publications, and exhibitions.
9 boxes.
1922-1983
C Papers relating to types, paper, printing processes, design and illustration.
13½ boxes.
1883-1983
D Business papers.
21½ boxes.
1878-1983
E Other papers.
6 boxes.
1853-1998
F Specimens of printing.
30½ boxes.
1910-1983

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