| Manuscripts/MS Add.9816 contains: |
|---|
| A |
Book printing |
| B |
Ephemeral printing |
| C |
Inscriptions |
| D |
Design |
| E |
Other projects |
| F |
Miscellaneous correspondence |
| G |
Business papers |
| H |
Biographical material |
|
Rampant Lions Press Archive
| Title |
Book printing |
| Reference |
MS Add.9816/A |
| Covering Dates |
1936-2004 |
| Extent and Medium |
ca. 45 boxes |
|
| Content and context |
|
This series covers books printed for publishers, including the Rampant Lions Press itself, and for private customers; and book projects abandoned for one reason or another. The title of each item is the author and title of the book, publisher and date. If no publisher's name appears, the book was a private printing. Normally each item consists of papers arising from the progress of the book through the press but does not include a copy of the finished product.
When papers such as copy (that is, typescript or manuscript for setting), estimates, layouts, drawings and artwork are datable and are not oversize, they are usually arranged in a single chronological series with correspondence (as Sebastian Carter normally filed them). Otherwise they are listed separately along with proofs and other matter (as usual with Will Carter's jobs).
Many items include an envelope or folder on which Sebastian Carter has logged information such as prices, quantities, and a serial number.
Items are in approximate chronological order of their publication.
|
| Manuscripts/MS Add.9816/A contains: |
|
1
|
Robert Nichols, A Spanish triptych (Rampant Lions, 1936). Photograph of a specially bound copy; review from the Times Literary Supplement (3 Oct. 1936); letter from Bernard Newdigate enclosing a layout of poetry done by him.
1 envelope. |
1936 |
|
2
|
James Martin, Memorandoms; edited by Charles Blount (Rampant Lions, 1937). Copy (editor's autograph manuscript, typescript); galley proof, marked; partial set of printed pages; prospectus (partial proof and printed copy); list of recipients of complimentary copies of the book; 2 reviews (clippings); correspondence with Will Carter. . With a tear-sheet of Charles Blount, 'A first fleet adventure' from Inklings (2001), with the author's annotations. . Correspondence includes chiefly Will Carter's letters to Charles Blount; with letters from the Public Record Office and University College, London, to Blount. 'Collected from Charles Blount May 2002' - note by Sebastian Carter.
1 envelope. |
1937-2001 |
|
3
|
John Carter, Clerihews: an unofficial supplement to 'Biography for beginners' (Rampant Lions, 1938). Reviews; order postcards, one filled in from James Wardrop; letter from John Manifold to John Carter; 'Miscellaneous Clerihews' (manuscript of 2 pp. by Will Carter); prospectus for the second edition (1948); offprint and note of conveyance by John Gilmour (1980); keepsake of clerihews from the Artichoke Press (1984).
1 envelope. |
1938-1984 |
|
4
|
Philip Grierson, Irish bulls (Rampant Lions Press, 1938). Copy of the printed pamphlet; clipping of review in the Cambridge Review.
1 envelope. |
1938-1940 |
|
5
|
Elizabeth Barrett Browning, Sonnets from the Portuguese (Rampant Lions, 1939). Four vellum bifolia. The edition of 200 included 5 copies on vellum.
1 envelope. |
1939 |
|
6
|
Ecclesiastes, reprinted from the Authorized Version (Rampant Lions, 1941). Printed prospectus; correspondence with Will Carter. Correspondents include John Johnson and John Dreyfus.
1 envelope. |
1941 |
|
7
|
Sir Thomas Browne, The last chapter of Urne buriall (Rampant Lions, 1944). Artwork (2 leaves, one labelled 'John Piper drawing'); invoice for blocks; 2 printed bifolia.
1 envelope. |
1940-1941 |
|
8
|
Youth: translated from the Old French by Arnold Moon (Cyril Edwards, 1947). Artwork; 3 copies of the printed leaflet. 'Written out by Will Carter and printed by him from line blocks...' - colophon on verso of last leaf.
1 envelope. |
1947 |
|
9
|
Wilfred Blunt and Will Carter, Italic handwriting: some examples of everyday cursive hands (Newman Neame, 1954). Samples of handwriting for reproduction, 3 of which are pasted up to form pp. 4 and 27 of the book; further correspondence from writers included in the book; announcement; review (tear sheet from the Times Literary Supplement). Writers and correspondents include John Carter, T. Compton, Christopher Cornford, Tom Gourdie, Archie Harradine, John Marsden, Maurice Percival, Oliver Powell, Jack Trodd.
1 envelope, oversize. |
1953-1954 |
|
10
|
Application by Douglas Montagu Temple Gairdner for the chair of Child Health in the University of Liverpool (1956). Copy of the printed pamphlet.
1 envelope. |
1956 |
|
11
|
Ceremony of the lilies and the roses (1961). Correspondence, including letters of thanks to Will Carter and John Carter for copies of this publication; with a list of recipients. Correspondents include Edward Bridges, John Carter, Edward Ford, Sir William Haley, Sir Edward Playfair, Sir Dennis Proctor. Others are unidentified.
1 envelope. |
1961 |
|
12
|
S. T. Coleridge, The rime of the ancient mariner; with ten engravings on copper and with a foreword by David Jones (Chilmark Press, 1965). Layouts; printed pp. 6-7; review (typescript) by Paul Standard; advertisement (photocopy); review in Times Literary Supplement (clipping); correspondence with Will Carter. Correspondence is with the Chilmark Press (Louis G. Cowan, Jane Dunlap).
1 envelope. |
1964-1965 |
|
13
|
Glyn Daniel, Oxford chicken pie (1966). Galley proof, marked by the author; letters from Glyn Daniel to Will and Sebastian Carter.
1 envelope. |
1965-1966 |
|
14
|
Iris Tree, The marsh picnic; introduction by John Betjeman (Rampant Lions, 1966). Prospectus leaf; letters to Will Carter from Iris Tree and John Betjeman, 1967.
1 envelope. |
1966-1967 |
|
15
|
Edward Lear, letter (not printed). 4 Photographs (reversed) of the letter in the Pierpont Morgan Library; correspondence. Correspondents include the Library (Frederick B. Adams), Herbert Cahoon, and the Cotswold Collotype Co. Ltd. The letter was to have been published in facsimile as a keepsake for the Fellows of the Library.
1 envelope. |
1965-1967 |
|
16
|
Constantine Trypanis, Elegies of a glass Adonis (Chilmark Press, 1967). Trial setting of title page; prospectus; letter to Will Carter from Constantine Trypanis; review by Paul Standard in Publishers' Weekly; obituary of Trypanis (1993).
1 envelope. |
1967-1993 |
|
17
|
A selection of old English riddles translated by H. H. Abbott (not printed). Copy (typescript carbon). A "project which came to nothing" - note by Sebastian Carter.
1 envelope. |
1960-1968 |
|
18
|
George Mackley, Engraved in the wood: a collection of wood engravings by George Mackley (Two-horse Press, 1968). Layouts; estimates; artwork for title; various trial proofs of wood-engravings; partial paste-up; correspondence with Will Carter, including copy for text of the book by Armida M-T. Colt and Ruari McLean. Some items of uncertain place in the sequence are at the end. Correspondents include Armida Maria-Theresa Colt, Harris D. Colt, George Mackley, Ruari McLean.
1 envelope. |
1967-1968 |
|
19
|
Chilmark Press, New York: retrospectus and prospectus (not printed). Copy (part manuscript by Sebastian Carter, part typescript); layouts; dummy; correspondence with Will and Sebastian Carter. Correspondents are the Stellar Press (W. J. Hummerstone, Andrew Jackson), Louis G. Cowan.
1 envelope. |
1969 |
|
20
|
R. S. Thomas, The mountains; illustrated with ten drawings by John Piper engraved on the wood by Reynolds Stone, with a descriptive note by John Piper (Clover Hill Editions, 1968). Copy (manuscript by John Piper for his note, typescript for the poem, typescript for the prospectus); dummy (marked 'the printing dummy'); page proofs of frontmatter; proofs of wood-engravings on various papers (marked 'block pulls'); various layouts; artwork for title page; printed title page (marked 'Design work'); correspondence with Will Carter; with a clipping of a review (1970). Correspondents include Chilmark Press (Louis G. Cowan), Douglas Cleverdon, John Piper, Reynolds Stone.
1 envelope. |
1966-1968 |
|
21
|
Manuel Joglar Cacho, Por los caminos del dia; illustrated by J. A. Torres Martino (1969). Printed copy. 15 sheets (numbered 1-13, plus title and colophon sheets), in a 4-flap folder.
1 large oversize folder. |
1969 |
|
22
|
Imprimatur (not printed). Imprimatur, never published, was to be a 'periodical devoted to typography, graphic arts, and book collecting'. Prospectus (typescript); layouts; correspondence with Will Carter. Correspondents include T. S. Martin, James Moran.
1 envelope. |
1969-1970 |
|
23
|
Raymond Postgate, The Agamemnon of Aeschylus (Rampant Lions, 1969). Layouts; artwork; galley proof of notes; page proof, marked; prospectus (copy, printed copy); correspondence with Will and Sebastian Carter; clipping. Correspondence includes a mailing list for the prospectus. Correspondents include Raymond Postgate, Cambridge University Press (L. A. Gray), Mansell Bookbinders Ltd.
1 envelope. |
1968-1970 |
|
24
|
John Schroder, Catalogue of books and manuscripts by Rupert Brooke, Edward Marsh & Christopher Hassall, with a frontispiece by Joan Hassall (Rampant Lions, 1970). Partial galley proof; layout, proof, and clipping of an advertisement; correspondence with Will and Sebastian Carter. Correspondents include Cotswold Collotype Company (Philip Brooke, L. S. Smith), Hale Paper Company (F. T. Jackson), John Schroder, Times Literary Supplement, Wigmore Bindery Ltd (R. St. G. Moody).
1 envelope. |
1968-1970 |
|
25
|
Henry Reed, Lessons of the war (Clover Hill Editions, 1970). Partial copy (typescript); artwork; trial settings; layouts; galley proof; page proof; paste-up from proofs, marked; prospectus (typescript copy and marked proofs); correspondence with Will and Sebastian Carter. Correspondence includes copy (typescript) for the poem 'The auction sale'. Correspondents include Douglas Cleverdon, Louis G. Cowan, Curwen Press (Colin Cohen, Basil Harley, Robert Simon), Hale Paper Company, Henry Reed, Jonathan Cape Ltd. (Gaye Poulton), Wigmore Bindery.
1 envelope. |
1968-1970 |
|
26
|
Martyn Skinner, Old Rectory; or, The interview; Prologue in two concurrent scenes (Rampant Lions, 1970). Copy (autograph manuscript, photocopy); layouts; galley proof; page proof marked by the author; paste-up of prospectus; cover label; paper sample; correspondence between Will Carter and Martyn Skinner.
1 envelope. |
1970 |
|
27
|
David Piper, Shades (Clover Hill Editions, 1970). Estimate; layouts; drawings; artwork; specimen settings; prospectus (typescript copy, proof of text); . galley proof; page proof, marked; correspondence with Will and Sebastian Carter. 'This book was designed by Sebastian Carter, and printed by him and Will Carter...' - colophon. . Correspondents include Douglas Cleverdon, Louis G. Cowan, Mansell Bookbinders Ltd (Michael B. Clarke), David Piper, Paul Standard; Stellar Press (W. J. Hummerstone).
1 envelope. |
1968-1970 |
|
28
|
Tributes to Allen Lane (1970). Paste-up.
1 envelope. |
1970 |
|
29
|
With love and eighty candles for M.E.K. (1970). Copy (mostly typescript); layouts; galley proof, marked; paste-up from galley proof, marked; correspondence between Stephen Keynes and Will and Sebastian Carter. M. E. K. is Margaret Elizabeth Keynes.
1 envelope. |
1970 |
|
30
|
Isabel Henderson, A list of the published writings of Hector Munro Chadwick and of Nora Kershaw Chadwick (1971). Copy (typescript); galley proofs; layouts; printed cover; correspondence between Isabel Henderson and Sebastian Carter.
1 envelope. |
1970 |
|
31
|
Discretionary settlement by the Honourable Philip Reginald Smith (Bircham & Co., 1971). Layout; paste-up from galley-proofs; marked, set of printed sheets; photocopy of the printed and signed document; correspondence between Bircham & Co. (A. E. Oliver) and Will Carter.
1 envelope. |
1971-1972 |
|
32
|
Leonard Greenwood, Greenwood's Greek (not printed). Samples of copy (manuscript); layouts and estimate; dummy; correspondence between Will Carter and Leonard Greenwood.
1 envelope, oversize. |
1970-1971 |
|
33
|
Sylvia Plath, Lyonnesse (Rainbow Press, 1971). Copy (photocopy of autograph manuscript); layouts; galley proofs; artwork; dummies; correspondence between the Rainbow Press (Olwyn Hughes) and Will Carter.
1 envelope. |
1971 |
|
34
|
Mark Pryor 1915-1970 (1971). Layouts, artwork, page proof, marked; dummy; correspondence with Will Carter. Correspondents include Sophie Pryor, Ramsey & Muspratt Ltd (Arthur Ramsey).
1 envelope. |
1971 |
|
35
|
J. G. Lubbock, Reflections from the sea (Twelve by Eight Press, 1971). Artwork by Sebastian Carter for title-page spread.
1 envelope. |
1971 |
|
36
|
Sixe idyllia chosen out of the Sicilian poet Theocritus; with eight etchings by Anthony Gross, and with an introduction by Douglas Cleverdon (Clover Hill Editions, 1971). Copy (various typescripts); layouts; title-page artwork; proof copies of 2 etchings, signed by Anthony Gross; proofs of single leaves, many corrected; publicity (copy and proofs of prospectuses, order form, and notice of an exhibition); correspondence with Will Carter. Correspondents include Douglas Cleverdon, Anthony Gross, Paul Standard, Stellar Press (W. J. Hummerstone).
1 envelope. |
1970-1971 |
|
37
|
Mary Lascelles, The adversaries and other poems (Rampant Lions, 1971). Layout of spine; paper sample; correspondence with Will Carter. Correspondents are Valerie Eliot, Mary Lascelles.
1 envelope. |
1971 |
|
38
|
Robert Lowell, Sonnets (project of the Rainbow Press; not printed). Trial copy (typescript) and settings; correspondence between the Rainbow Press (Olwyn Hughes) and Will and Sebastian Carter.
1 envelope. |
1971 |
|
39
|
David Jones, An introduction to The rime of the ancient mariner (Clover Hill Editions, 1972). Paste-up of title page and printed title page (3 copies); 2 letters from David Jones to Will and Sebastian Carter, 1972.
1 envelope. |
1972 |
|
40
|
Nicolas Barker, ed., In fair Verona (1972). Correspondence with Will Carter. Correspondents include Hans Schmoller, Reynolds Stone, Giovanni Mardersteig. With the correspondence are obituaries of Mardersteig and Schmoller (1985). This was a festschrift for Giovanni Mardersteig, printed (but not set in type) by Will Carter. The correspondence includes a layout by Hans Schmoller.
1 envelope. |
1971-1985 |
|
41
|
Michael Collie, Kerdruc notebooks (Rampant Lions, 1972). Layouts; galley proof, marked; correspondence between Michael Collie and Sebastian Carter.
1 envelope. |
1971-1972 |
|
42
|
Barrett Parker, Poems 1972 (1972). Proof of title page; correspondence between Barrett Parker and Will Carter.
1 envelope. |
1971-1972 |
|
43
|
John Saltmarsh, King Henry VI and the royal foundations: a commemorative oration delivered at Eton College (Eton College and King's College, Cambridge, 1972). Estimate; layout; marked page proof, marked; printed wrapper; correspondence with Will Carter. Correspondents include A. N. L. Munby, Patrick Strong.
1 envelope. |
1972 |
|
44
|
Suns and moons: 8 colour woodcuts by Michael Rothenstein accompanying poems by Donne, Yeats, Shelley, Baudelaire, Elytis, and others (Rampant Lions, 1971). Artwork; estimates; prospectus (copy and printed prospectus); correspondence with Sebastian Carter and other papers. Correspondents include A. P. Watt & Son (Frances Trueman), Douglas Cleverdon, Louis G. Cowan, Odysseus Elytes, Olwyn Hughes, Richard Gainsborough Periodical Limited (Lorraine Craig), Michael Rothenstein, Thames and Hudson Ltd, The Sunday Times (Michael Rand). The order of papers is uncertain: most of Rothenstein's letters are undated. With a separate file of correspondence between Sebastian Carter and Michael Rothenstein dealing with sales of his books; and with a further file of other materials on Michael Rothenstein, including prospectuses (one with a covering letter from Julian Rothenstein), announcements, and clippings including newspaper obituaries (1993).
1 envelope. |
1970-1993 |
|
45
|
Samuel Beckett, The north; with three original etchings by Avigdor Arikha (Enitharmon Press, 1972). Copy (typescript); artwork; proof of title page; correspondence with Will Carter. Correspondence is with Enitharmon Press (Alan Clodd), Studio Prints.
1 envelope. |
1972 |
|
46
|
D. G. Bridson, The quest of Gilgamesh; with an original lithograph by Michael Ayrton (Rampant Lions, 1972). Copy (typescript); estimate; layouts; various trial settings; page proofs, marked; proofs of lithograph illustrations; correspondence with Will and Sebastian Carter. Correspondents include Michael Ayrton, Ingeborg Börjeson, Geoffrey Bridson, Douglas Cleverdon, Hale Paper Company Ltd, Mansells (Bookbinders) Ltd, Stellar Press Ltd.
1 envelope. |
1971-1972 |
|
47
|
Jasper Rootham, Verses 1928-1972 (1973). Layouts; copy for prelims; page proof, marked; correspondence between Will Carter and Jasper Rootham.
1 envelope. |
1972-1973 |
|
48
|
John Milton, Areopagitica: a speech of Mr John Milton for the liberty of unlicensed printing, to the Parliament of England, edited, with an introduction and notes by Isabel Rivers (Deighton, Bell, 1973). Layouts; estimates; artwork; prospectus (copy and marked proof); correspondence with Will and Sebastian Carter. Includes correspondence, specimen setting of 2 pages, and other papers from an earlier project. 'First Areo¬pagitica project. To be illustrated by Henry Moore as a Clover Hill edition. Lack of interest on Moore's part meant this was abandoned.' For the 1973 book 'The bulk of the preparatory material - pasteup, setting copy etc - sold to James Dearden, College of Librarianship, Wales, shortly after publication' - notes by Sebastian Carter. Correspondents include J. B. Broadbent, Cambridge University Press, Chilmark Press, Douglas Cleverdon, Louis G. Cowan, Deighton, Bell & Co. (John Beech), Dorstel press (Robert Nartnoll), Monotype Corporation, Henry Moore.
1 envelope. |
1965-1972 |
|
49
|
A. N. L. Munby, Book-collecting in the 1930s (Tony Appleton, 1973). Copy (printed article in the Times Literary Supplement); galley and page proofs; dummy; letters from Tony Appleton to Sebastian Carter.
1 envelope. |
1973 |
|
50
|
Sebastian Carter, First principles of typography in the nineteen-seventies (Bowaters United Kingdom Paper Co., 1973). Copy (mostly typescript, partly manuscript); layouts; dummy; estimate; galley proof, marked; correspondence between Bowaters Paper Sales Limited (R.J. E. Martin) and Sebastian Carter.
1 envelope. |
1973 |
|
51
|
Marion Stewart, ed., King Orphius. Sir Colling. The brother's lament. Litel Musgray : poems from Scottish Manuscripts of c. 1586 and c. 1630 (Ninth of May, 1973). Copy (mostly typescript); galley proofs, marked; proofs of illustration; proof of prospectus, marked; correspondence. Correspondents include Peter Burbridge, Kenneth S. Goldstein, Helena Shire, Marion Stewart.
1 envelope. |
1972-1973 |
|
52
|
Thom Gunn, Mandrakes; illustrated by Leonard Baskin (Rainbow Press, 1973). Copy (typescript carbon); layout; estimate; galley proof; paste-up; correspondence between Will Carter and Olwyn Hughes.
1 envelope. |
1973 |
|
53
|
Martyn Skinner, Old Rectory; or, The interview; The session in seven scenes (Rampant Lions, 1973). Galley proof marked by the author; correspondence between Will Carter and Martyn Skinner.
1 envelope. |
1973 |
|
54
|
Sylvia Plath, Pursuit (Rainbow Press, 1973). Page proof; letters from Olwyn Hughes to Will Carter.
1 envelope. |
1973 |
|
55
|
Ted Hughes, Spring, summer, autumn, winter (Rainbow Press, 1973). Layouts; estimates; page proof; paste-up; correspondence between the Rainbow Press (Olwyn Hughes) and Sebastian Carter.
1 envelope. |
1973 |
|
56
|
Charles II to Lord Taaffe: letters in exile; edited with an introduction and notes by Timothy Crist (Rampant Lions, 1974). Estimate; artwork; layout; page proof, marked; paste-up, announcement; correspondence with Sebastian Carter. Correspondents include Timothy Crist, A. N. L. Munby, Stephen Parkes.
1 envelope. |
1973-1975 |
|
57
|
J. G. Lubbock, Light and the mind's eye (Bertram Rota, 1974). Proofs of text pages, marked; drawings and artwork for title page; copy for prospectus. In an envelope annotated by Will Carter.
1 envelope, oversize. |
1974 |
|
58
|
Will Carter and Sebastian Carter, Portfolio 2: projects, backward glances, and jeux d'esprit (Rampant Lions, 1974). Copy (various formats); artwork; layouts; various proofs, correspondence and other papers; partial set of printed leaves. Most of the papers are in two folders, one marked 'Will' and the other 'Seb'. Includes correspondence between Sebastian Carter and Cambridge University Press Permissions Department.
1 envelope. |
1972 |
|
59
|
Illustrations for Robinson Crusoe by Edward Gordon Craig; introduced by Edward A. Craig (not printed). Correspondence with Will and Sebastian Carter, with proofs of 3 wood engravings. Correspondents include Edward A. Craig, Colin Franklin, Charlene Garry.
1 envelope. |
1965-1974 |
|
60
|
Charles Wadsworth, Seed leaves (David R. Godine, 1974). Copy (mostly typescript) pasted up by the author, with a covering letter; the same, a photocopy with the author's manuscript annotations; trial settings; dummy; correspondence with Will Carter. Correspondents include David R. Godine, Charles Wadsworth, Jeannie Wadsworth.
1 envelope. |
1973-1974 |
|
61
|
Michael Rothenstein and Edward Lucie-Smith, Seven Colours (Rampant Lions, 1974). Various artwork and proofs; layout; copy for blurb; printed order card; stock book; correspondence with Sebastian Carter. The stock book records the disposition of copies of this title. Correspondents include Curwen Prints Ltd (Rosemary Simmons), Edward Lucie-Smith, and Michael Rothenstein.
1 envelope. |
1973-1975 |
|
62
|
William Morris, The story of Cupid and Psyche, with wood-engravings designed by Edward Burne-Jones and mostly engraved by William Morris, with an introduction by A. R. Dufty (Clover Hill Editions, 1974). Volume 1: Introduction. Copy for prelims and layouts; paste-up from proofs; page proofs (2 sets, variously marked); artwork for the plates, consisting of glossy photographs (in batches in separate envelopes, one for each page of the 'Plates' section of this volume); proof copy in a plain wrapper; printed copy of 'The plates' in a patterned paper wrapper; another set of sheets for 'The plates', marked 'proof set'.
5 envelopes, oversize. |
1974 |
|
63
|
William Morris, The story of Cupid and Psyche. Volume 2: The poem with the engravings. Copy for prelims; various proof sheets; proof copy consisting of unsewn sheets; printed and bound volume (marked 'Advance copy').
1 envelope and 1 volume. |
1974 |
|
64
|
William Morris, The story of Cupid and Psyche. Portfolio of 37 collotype plates and 44 engravings (part of the special edition) and portfolio of the 44 engravings (published separately). Various copy, layouts, artwork, and proofs; photographs of drawings by Edward Burne-Jones, from the Ashmolean Museum, Oxford, some marked for cropping; copy of the separately-issued portfolio, including 8 pp. of text, in a tray case with spine title 'The Engravings and the Drawings'. The engravings have manuscript annotations by Sebastian Carter.
1 envelope and 1 volume. |
1974 |
|
65
|
William Morris, The story of Cupid and Psyche. Announcements and prospectus. Copy and various proofs, and printed prospectus; printed announcements. With these are:. printed announcement and printed keepsake for Sebastian Carter's lecture 'The last Kelmscott' (October 1973) (the latter varying to specify the venue; in a folder marked 'Publicity');. sample of Morris-pattern cloth. proofs of the wood-engravings made for Colin Franklin in 1978 and an announcement of his talk 'Golden Asses at the Private Presses'; further proofs from the Morris borders in the same collection and a prospectus for Eros and Psyche (Gregynog 1935). correspondence with Will and Sebastian Carter about the book, 1969-1976. This includes also various slips with copy and artwork, and text for Sebastian Carter's talk to the Double Crown Club, Mar. 1974. Correspondents include the agent for the Copyright Libraries (G. W. Copp), Sanford L. Berger, Cambridge University Press (Brooke Crutchley), Penny Carter, Douglas Cleverdon, Cotswold Collotype Co. Ltd (Philip Brooke, L. S. Smith), Glyn Daniel, A. R. Dufty, Colin Franklin, J. Barcham Green Ltd, Loyd Haberly, Oxford University Press (Vivian Ridler, Richard Russell), Hans Schmoller, A. C. Sewter, Mary Skinner, Society of Antiquaries (F. H. Thompson), Albert Sperisen, Stellar Press (W. J. Hummerstone), Reynolds Stone, William Morris Society (R. C. H. Briggs), William Waters.
2 envelopes, oversize. |
1969-1974 |
|
66
|
Vadim Hammer, Eine kleine Nachtmusik in Miami (1975). Estimate; layouts; drawing and artwork for cover; galley proof, marked; page proof, marked; copy and proof of extra poem; correspondence with Sebastian Carter. Correspondents are Edward Lucie-Smith and Vadim Hammer.
1 envelope. |
1975-1976 |
|
67
|
John Sparrow, ed., Lapidaria septima (1975). Estimate; galley proofs (one revised), marked; correspondence with Will Carter. Correspondence is with John Sparrow and Cambridge University Press (Brooke Crutchley).
1 envelope. |
1973-1975 |
|
68
|
John Hancock, Poems (1975). Galley and page proofs; estimates; layout of cover; letters from Sebastian Carter to Bridget Noakes. . The letters also relate to a second volume planned in 1979.
1 envelope. |
1971-1979 |
|
69
|
Root and sky: poetry from the plays of Christopher Fry, compiled and arranged by Charles E. and Jean G. Wadsworth; collagraph-intaglios designed and printed by Charles E. Wadsworth (Rampant Lions, 1975). Layouts; partial galley proof, marked; correspondence with Will Carter including copy for prospectus. . Correspondents include Christopher Fry, Oxford University Press (John Bell), David R. Godine Publisher (Stephen Brook, David R. Godine), Charles E. Wadsworth, Jean G. Wadsworth.
1 envelope, oversize. |
1974-1977 |
|
70
|
John Sparrow, S. Maria della Salute (Rampant Lions, 1975). Envelope: copy (photocopy of 2 printed pages); copy of the 1973 printing by Simon Rendall; 3 clippings; correspondence with Will Carter. Correspondents include John Sparrow, John Murray, John Carter. Folder (oversize): 3 different paste-ups; copy of the printed bifolium with loose sheet inserted.
1 envelope and 1 large oversize folder. |
1972-1974 |
|
71
|
Tibullus, Elegies; edited and translated by Guy Lee (1975). Estimate; layouts; artwork; galley proof, marked; letter from Guy Lee to Sebastian Carter.
1 envelope. |
1975 |
|
72
|
Ted Hughes, Earth-moon (Rainbow Press, 1976). Galley proof, marked; layout; artwork; paste-up; correspondence between the Rainbow Press (Olwyn Hughes) and Sebastian Carter, and other papers.
1 envelope. |
1973-1976 |
|
73
|
Sheila Cudahy, The bristle cone pine and other poems (Harcourt Brace Jovanovich, 1976). Copy for frontmatter; estimates; layouts; drawing and paste-up of cover; page proof, marked by Sheila Cudahy; correspondence with Sebastian Carter. Correspondents include Sheila Cudahy, Valerie Eliot, Harvill Press Ltd, Helen and Kurt Wolff Books Harcourt Brace Jovanovich (Helen Wolff, Lisa M. Mayer), Mansell (Bookbinders) Ltd.
1 envelope. |
1975-1976 |
|
74
|
Brooke Crutchley, The Cambridge Christmas books (Tony Appleton, 1976). Copy for colophon; layouts; estimate; galley and page proofs, marked; letter from Tony Appleton to Sebastian Carter.
1 envelope. |
1975-1976 |
|
75
|
S. T. Coleridge, The rime of the ancient mariner; with twelve aquatints by Patrick Procktor (Editions Alecto, 1976). Copy; artwork; layouts; various proofs of text; prospectus (copy, various proofs; in a folder marked 'prospectus'); order form (copy, proofs); partial paste-up; aquatint frontispiece marked 'rough proof'; . correspondence with Sebastian Carter, with the programme of an exhibition at the Redfern Gallery (1976) and clippings including an obituary of Procktor (2003). Correspondents include Cleveland Hall Fine Arts (M. G. Landau), Editions Alecto Limited (J. G. Studholme), Patrick Procktor.
1 envelope, oversize. |
1975-1976 |
|
76
|
Eric Fraser, Richard Wagner The Ring: a series of illustrations (Dawson, 1976). Estimate; photocopies of the illustrations, numbered 1-39 plus 'binding design' and 8 vignettes from the part-title pages of the libretto edition (Dawson, 1976); various proofs of illustrations; galley proofs of leaflet, marked; proof copy; letters to Will Carter. The letters are from Deighton, Bell & Co/Frank Hammond and Wm. Dawson & Sons Ltd.
1 envelope. |
1976 |
|
77
|
Frank H. Stubbings, Emmanuel College chapel, 1677-1977 (1977). Estimate; layout; galley proof, marked; artwork for captions to plates; correspondence between Frank Stubbings and Will Carter.
1 envelope. |
1977 |
|
78
|
Tambimuttu and John Piper, India love poems (Paradine, 1977). Envelope: copy (photocopy of printed text), marked; artwork; layouts; partial page proof, marked; correspondence with Will Carter. Correspondents include David Parradine Publications Limited (Ridley Burnett), Harold Hugo, John Piper. Folder: 1 pasted-up leaf and leaves from the printed book, mostly illustrations; in a folder marked 'spare sheets'.
1 oversize envelope and 1 large oversize folder. |
1975-1976 |
|
79
|
Robert Brittain, Now comes the light (1977). Copy (typescript); paste-up.
1 envelope. |
1977 |
|
80
|
J. G. Lubbock, Perceptions of the earth (Bertram Rota, 1977). Drawings and artwork for title-page spread; layouts; memoranda; proof of prelims, marked; prospectus; order form; letter from J. G. Lubbock to Sebastian Carter.
1 envelope. |
1977 |
|
81
|
The Chester play of The Deluge; with ten wood-engravings by D. Jones (Clover Hill Editions, 1977). Copy for the book and for the prospectus (typescript with manuscript alterations by Douglas Cleverdon); a folder listing the 'Extras' involved (prospectuses, envelopes, etc.) and quantities of each;. various paste-ups, including the book and prospectus, one marked 'imposition guide' for the text; various proofs of text and titling-lines; memoranda; proofs of wood-engravings, including 1 on vellum; various paste-ups and proofs of single leaves; correspondence with Will Carter. . Correspondents include Douglas Cleverdon (chiefly) and Ian Mortimer.
1 envelope. |
1975-1977 |
|
82
|
Leslie Shepard, The history of the horn book (Broadsheet King, 1977). Galley proof, marked; artwork; layout; paste-up, printed pamphlet; correspondence with Sebastian Carter. Correspondents include John Foreman.
1 envelope. |
1975-1976 |
|
83
|
The Psalms of David (Deighton Bell, 1977). Paste-up from typescript copy with manuscript annotations (marked 'pasted-up copy'); drawings, layouts, artwork, and trial settings, mostly annotated by Sebastian Carter to form a sequence; page proof, marked; prospectus (copy, layouts, artwork, various proofs, and printed prospectus); correspondence with Sebastian Carter, including estimates and layouts; proof copy consisting of unsewn sheets, inscribed 'a progress'. Correspondents include Deighton Bell (John Beech), Derek Bowen, Eyre & Spottiswoode Ltd (Charles Friend), Ludlow Industries (J. T. Harrison), Scriptorium Services Ltd (A. C. Jeffries), Wm. Dawson & Sons Ltd (Ian Williams).
3 envelopes. |
1975-1977 |
|
84
|
The Sobieski hours: a manuscript in the Royal Library at Windsor Castle; examined by Eleanor P. Spencer (Academic Press for the Roxburghe Club, 1977). Various proofs, marked; paste-up; artwork; memoranda; proofs of title page; layouts; correspondence with Will Carter; and certificate of an award from the National Book League . Correspondents include Curwen Press (Basil Harley); Johnson Reprint Company (later, Academic Press)(Charles M. Hutt); Robin Mackworth-Young, Eleanor P. Spencer.
1 envelope, oversize. |
1974-1979 |
|
85
|
Lucy Boston, Time is undone (1977). Copy (mostly typescript); galley proof; page proof, marked; layouts; estimate; artwork for cover label; 2 different dummies; printed announcement (proof and printed copy); correspondence with Sebastian Carter. Correspondents are Lucy M. Boston, Frank Collieson.
1 envelope. |
1977 |
|
86
|
Alexander Hutchison, Four poems in broadside (1977). Copy (typescript); galley proof, marked; page proof, marked; proof copies of the four poems; correspondence between Alexander Hutchison and Will Carter.
1 envelope, oversize. |
1976-1977 |
|
87
|
Ted Hughes, Adam and the sacred nine; with a drawing by Leonard Baskin (Rainbow Press, 1978). Layouts; estimate;, artwork; galley proofs, marked; paste-up; correspondence. Correspondents include Olwyn Hughes, Ted Hughes.
1 envelope. |
1978 |
|
88
|
W. A. Rathkey, A questionnaire for God (1978). Estimate; artwork for title page; galley proof, marked; dummy; letters to Will Carter. The letters are chiefly from W. A. Rathkey.
1 envelope. |
1977-1978 |
|
89
|
Edward Thomas: a centenary celebration with etchings by Arthur Neal (Eric and Joan Stevens, 1978). Estimates; layouts; galley and page proofs, marked; set of printed sheets (without the etchings); paste-up of prospectus; correspondence with Sebastian Carter. Correspondents include Arthur Neal and Eric and Joan Stevens.
1 envelope. |
1977-1978 |
|
90
|
Ted Hughes, Moortown elegies (Rainbow Press, 1978). Layouts; estimate; artwork; proofs of illustration by Leonard Baskin; trial layouts of cover; paper and leather samples; various partial proofs; letters from Olwyn Hughes to Will Carter.
1 envelope. |
1977-1978 |
|
91
|
Aidan Mackey, Mr Chesterton comes to tea (Vintage Publications, 1978). Drawings; layouts including miniature imposition plan; page proof, marked; cover label and paper; paste-up; prospectus (copy, layouts, proofs); correspondence with Sebastian Carter. Correspondents include Derek Allen, Richard Ingrams, Adrian Lack, Aidan Mackey.
1 envelope. |
1977-1978 |
|
92
|
Martyn Skinner, Old Rectory; or, The interview: The epilogue in seven scenes (Rampant Lions, 1977). Copy (autograph manuscript); estimate; galley proof marked by the author; page proof; copy (autograph manuscript) and paste-up of the prospectus; layouts; correspondence between Martyn Skinner and Will and Sebastian Carter. With a printed lecture about Skinner, and an obituary (1993).
1 envelope. |
1977-1993 |
|
93
|
Rosemary Lyttleton, The owl window and other poems (Rampant Lions, 1978). Galley proof, marked; cover label; correspondence with Will Carter. Correspondence is with Lord Chaplin and Lady Chaplin (Rosemary Lyttleton).
1 envelope. |
1978 |
|
94
|
Guy Lee, A pastoral garland: selected from Virgil's Eclogues; with ten engravings on wood by Maud Wethered (not printed). Copy (typescript); layouts and trial settings; photocopies of illustrations; dummy; correspondence with Will and Sebastian Carter. Correspondents include David Chambers, Guy Lee, Maud Wethered.
1 envelope. |
1978-1979 |
|
95
|
Ted Hughes, Henry Williamson: a tribute (Rainbow Press, 1979). Various proofs; paste-up; correspondence between the Rainbow Press (Olwyn Hughes) and Sebastian Carter, and other papers.
1 envelope. |
1978-1979 |
|
96
|
Ted Hughes, Remains of Elmet; photographs by Fay Godwin (Rainbow Press, 1979). Copy (typescript photocopy); drawings, layouts, artwork (in a folder marked 'Preparatory'); layouts and memoranda (in a folder marked 'Printing plan'); paste-up of title-page spread, cover labels, partial proofs of text (in a folder marked 'Pasteup/proofs'); original photographs and proofs, marked; correspondence between the Rainbow Press (Olwyn Hughes) and Sebastian Carter, including a typescript of an extra poem for inclusion (in a folder marked 'Correspondence').
1 envelope. |
1976-1979 |
|
97
|
Terminal rhyme: six woodcuts by Zelda Nolte; six poems by Ralph Grant (Hobson Gallery, Cambridge, 1979). Copy for prelims; galley proofs; estimate; printed sheets containing the text (poems, title page and colophon).
1 large oversize folder. |
1979 |
|
98
|
The Book of Jonah; with thirteen wood engravings by David Jones (Clover Hill Editions, 1979). Estimates; layouts; binding-cloth samples; artwork; photocopies of pages from the 1927 edition; drawing of title page; galley proof, marked; paste-up; proofs of wood-engravings; prospectus (various trial settings and proofs, printed copy); correspondence with Will and Sebastian Carter. Correspondents include Douglas Cleverdon and Scolar Press (Peter McGrath).
1 envelope. |
1979 |
|
99
|
Vadim Hammer, The red raku tea bowl (1978). Estimate; layout; galley proof, marked; set of printed pages; printed book; correspondence between Vadim Hammer and Sebastian Carter. With a printed book The raku-chawan of Japan (Tokyo: Akasaka Mitoko Co., Ltd, undated).
1 envelope. |
1978-1979 |
|
100
|
The song of songs which is Solomon's; with prints by Michael Rothenstein (Rampant Lions, 1979). Copy (photocopies from a printed Bible); artwork; correspondence with Sebastian Carter and other papers. Correspondents include Eaton House Publishers Ltd (John Gainsborough, Shelley Rose), Eyre and Spottiswoode Ltd (Charles Friend), M. W. Raggett (Paper Merchants) Ltd, Sovereign American Arts Corp.
1 envelope. |
1978-1979 |
|
101
|
Stowe: commentary by Mark Gerouard; aquatints by John Piper (not printed). Dummy, including drawings that are watercolour sketches apparently by Piper.
1 envelope, oversize. |
1980 |
|
102
|
Christopher Isherwood, A single man (Land Press, 1980). Layouts and proofs, including title page; various notes; page proof, marked; printed leaves from the book; correspondence between David Bathurst and Sebastian Carter.
1 envelope. |
1977-1980 |
|
103
|
J. M. de Navarro, Collected poems (1980). Copy (typescript); page proof, marked; 2 trial page-settings, marked; estimates; correspondence between Howard Ferguson and Sebastian Carter.
1 envelope. |
1979-1980 |
|
104
|
Four Latin poems imitated by Peter Davidson with wood-engravings by Alan Powers (1980). Layouts and estimate; galley proof; page proof including engravings, marked; paste-up; correspondence is between Peter Davidson and Alan Powers and Sebastian Carter.
1 envelope. |
1980 |
|
105
|
J. G. Lubbock, From garden to galaxy (Bertram Rota, 1980). Copy for text (photocopy of typescript); galley proof, marked; drawings for title-page spread; prospectus (copy, paste-up); order form; clipping; letters from J. G. Lubbock to Will Carter.
1 envelope. |
1980-1981 |
|
106
|
Oliver Goldsmith, The deserted village; with two wood-engravings by Miriam Macgregor (1980). Copy (photocopy of printed text); layouts; paper samples; proofs of illustrations; galley and page proofs, marked; correspondence with Sebastian Carter. Correspondence is with Nigel Grimwood and Miriam Macgregor.
1 envelope. |
1980 |
|
107
|
Anthony Gross, The very rich hours of Le Boulve´; written and illustrated with twenty-six etchings and engravings on copper by Anthony Gross; with a foreword by David Garnett (Rampant Lions, 1980). Typescript marked 'Ur-text, 5th version'; paste-up from typescript on loose leaves, including engravings (in a folder marked 'setting copy'); further copy (typescript and manuscript; in a folder marked 'First chapters typed as for larger format; specimen pages of larger format; mss additions to text'); page proofs, marked (in a folder marked 'proofs'); artwork and proofs of patterned paper, leather samples (folder marked 'binding'); layout, artwork and proofs for title page (folder marked 'the title-page'); layout, partial paste-up (folder marked 'Chapter opening style, printing plan'); illustrations; list of illustrations (folder marked 'plates'); announcement and prospectus (copy, artwork, proofs, printed announcement and prospectus; folder marked 'prospectus'); correspondence with Will and Sebastian Carter. Correspondents include David Garnett, Anthony Gross, New Art Centre (Michael Servase).
7 envelopes, oversize. |
1979-1980 |
|
108
|
Walter Kaiser, Address given at Christ's Hospital ... at the memorial service for Edward Malins (1980). Galley proofs (2 sets, one marked by the author); letters to Will Carter. Letters are from Walter Kaiser and Mitzi.
1 envelope. |
1980 |
|
109
|
They fell in the battle (Royal Air Force Museum, 1980). Drawing for spine lettering.
1 envelope. |
1980 |
|
110
|
Sylvia Plath, Dialogue over a ouija board; with a drawing by Leonard Baskin (Rainbow Press, 1981). Copy (typescript); layouts; artwork; page proofs; correspondence with Sebastian Carter and other papers. Correspondence is with the Rainbow Press (Olwyn Hughes), including a letter of 1978 on another project to print short stories of Sylvia Plath.
1 envelope. |
1978-1981 |
|
111
|
John Sparrow, ed., Lapidaria octava (1981). Estimate; artwork; proofs, marked; correspondence with Will and Sebastian Carter . Correspondence is with John Sparrow.
1 envelope. |
1979-1981 |
|
112
|
G. M. Trevelyan, The English language (Tony Appleton, 1981). Copy (photocopy of printed page); layout; artwork; estimate; galley and page proofs, marked; correspondence with Sebastian Carter. Correspondents are Tony Appleton and Abe Lerner.
1 envelope. |
1981 |
|
113
|
Douglas Cleverdon, The engravings of David Jones: a survey (Clover Hill Editions, 1981). Envelope 1 = page proof of frontmatter and pp. 1-58, with another proof of pp. vii-x, all marked; page proof of the 'Index of Engravings', marked, with 2 further copies. This index belonged to the portfolio of engravings accompanying the special edition. Envelope 2 = various proofs of the prospectus, some marked; layouts and various proofs of text and blocks; correspondence with Will and Sebastian Carter, and other papers including estimates. Envelopes 3-4 = paste-up of plates 1-96 from proofs and photocopies, annotated by Douglas Cleverdon and others. With 6 printed plates. Formerly in a folder marked 'Dai Jones blocks'. . Correspondents include David Chambers, Barcham Green & Company (Simon B. Green), Douglas Cleverdon, Adrian Lack; Sangorski & Sutcliffe Bookbinders (Stanley Bray), William Cowley Parchment Works.
4 envelopes. |
1979-1981 |
|
114
|
Will Carter, Carter's caps (Rampant Lions, 1982). Copy (manuscript and typescript); drawings of letters on tracing paper labelled 'Alphabet portfolio drawings - done at Dartmouth 1969'; galley proof; layouts.
1 envelope. |
1969-1982 |
|
115
|
Will Carter and Sebastian Carter, Portfolio three: a further collection of resettings, specimen settings & display settings (Rampant Lions, 1982). Copy (various formats); artwork; layouts; various proofs.
1 envelope. |
1979-1982 |
|
116
|
George Orwell, 1984 (not printed). Correspondence with Sebastian Carter. Correspondence is chiefly with the Arion Press (Andrew Hoyem), with whom a collaboration was planned. Correspondents also include Hermann Zapf. With a pamphlet 'An advertisement for the press of Robert Grabhorn and Andrew Hoyem' (ca. 1971).
1 envelope. |
1980-1982 |
|
117
|
The Rampant Lions Press: a printing workshop through five decades (Rampant Lions, 1982). Catalogue of an exhibition at The Fitzwilliam Museum, Cambridge 11 May - 27 June 1982. . Copy (part manuscript by Will Carter, otherwise typescript); artwork, layouts, photographs of Rampant Lions books; galley proofs (2 sets), marked; progressive proofs of title page; proof of Introduction by Brooke Crutchley, marked by Crutchley (?); paste-up from galley proofs in hand-drawn cover; correspondence with Sebastian Carter. Correspondents include A. H. James & Company, Leonard Baskin, Douglas Cleverdon, Brooke Crutchley, Ted Hughes (to Will and Sebastian Carter), Norton Bridge Bookbinders, Michael Rothenstein, Hans Schmoller, the Stellar Press (W. J. Hummerstone), Victoria and Albert Museum. . Some letters enclose segments of galley proof, marked.
2 envelopes. |
1981-1982 |
|
118
|
Elizabeth Rosenthal, Scenes from a Berlin childhood (1982). Copy (typescript); estimate; delivery note for typeset galleys, galley proof, marked; page proof, marked; correspondence with Will Carter. Correspondents are T. G. Rosenthal and Miriam Hodgson.
1 envelope. |
1981-1982 |
|
119
|
Charles J. Robinson, Lyonshall Castle (Decimus, 1982). Copy (photocopy of a previous printed edition); layouts; artwork; galley proof; page proof, marked; copy of the printed sheets in a plain wrapper; correspondence with Will Carter. Correspondence is with Decimus Publishing Limited (Charles Plouviez, R. M. Ayers).
1 envelope. |
1982-2000 |
|
120
|
Sir Geoffrey Keynes (1982). Order for a memorial service; with an announcement of his death and announcement for the service (all printed by Sebastian Carter). Copy; various proofs and the printed items; galley and page proofs of the memorial service, marked; letters to Sebastian Carter from Stephen Keynes and Milo Keynes.
1 envelope. |
1982 |
|
121
|
J. G. Lubbock, The sphere of rocks and water (Bertram Rota, 1983). Drawings; layouts; trial settings; prospectus (printed prospectus, 2 copies). In an envelope annotated by Will Carter.
1 envelope, oversize. |
1983 |
|
122
|
Sebastian Carter, Wood-engraved initials for the Golden Cockerel Press by Eric Gill (Rampant Lions, 1983). Pages of the booklet, annotated with the provenance of individual initial letters; correspondence, some relating to S. Carter's article 'Letters are things: the wood-engraved initials of Eric Gill' in Matrix 15. Correspondents include Martin Andrews, Penelope Empson, James Mosley, John Randle, Christopher Skelton.
1 envelope. |
1983 |
|
123
|
Lawrence Lerner, Dialogue; and Anne Stevenson, Making poetry (both Pisces Press, 1983). Estimates; various proofs and paste-ups; printed leaflets; letters from Brenda Stones to Sebastian Carter. With John Heath-Stubbs, This is your poem (a previous publication of the Pisces Press).
1 envelope. |
1983 |
|
124
|
Douglas Cleverdon, Stanley Morison and Eric Gill 1925-1933 (Rampant Lions, 1983). A festschrift for Douglas Cleverdon on his eightieth birthday. . Copy (typescript with manuscript alterations), including list of subscribers; paper samples; layouts including illustrations; cover labels; printed letter of thanks from Cleverdon to subscribers; replies from subscribers to the invitation to subscribe (in a folder marked 'Cleverdon subscription list'); other records of subscribers, money paid in, and expenses; paste-up, in marbled paper cover; correspondence with Sebastian Carter. Correspondents include Stanley Bray, Joyce T. Bridson, John Byrne, Jerry Cinamon, Nest Cleverdon, Tom Colverson, Compton Marbling (Caroline Mann), David Gill, Giles Gordon, Lida Lopes Cardozo, Marius Goring, Rupert Hart-Davis, Martin Hürlimann, Robert L. Leslie, Robert Norton, John O'Connor, Denis Quilley, Pamela Robinson, Peter Sampson, Christopher Skelton, John Skelton, Humphrey Stone, Gerard Unger.
1 envelope. |
1982-1983 |
|
125
|
Jack Emery, The Putney debates, with lino-cuts by Clare Melinsky (Rampant Lions, 1983). Galley proof, marked; paste-up from proof, marked; artwork; set of progressive proofs of the colour illustration; copy (typescript) of frontmatter and epilogue; publication-party guest list; paste-up of prospectus; correspondence with Sebastian Carter (in 2 folders, marked 'Letters -1982' and 'Letters 1983-'). Correspondents include Anthony Baker, Basilisk Press (Charlene Garry), Bryan N. Brooke, J. W. Davies, John Dreyfus, M. V. Driver, Jack Emery, Michael Foot, Anthony Gross, Christopher Hill, W. J. Hummerstone, Lord Kenyon, Clare Melinsky, Hugh Melinsky, Ian Mortimer, Piers Plowright, Luke Rittner, Cordelia Vanneck, Timothy West, Margaret Windham, Joan H. Winterkorn, Weatherby Woolnough (Derek Allen).
1 envelope. |
1981-1983 |
|
126
|
C. P. Easton, A few memories (1984). Estimate; layouts; artwork; galley proof, marked; proofs of illustrations; paste-up from galley proof and photocopies of illustrations, sewn into a cover; correspondence with Sebastian Carter. Correspondents include C. P. Easton, Adrian Lack, and Barbara Wallis.
1 envelope. |
1983-1984 |
|
127
|
William Golding, Nobel lecture 7 December 1983 (Sixth Chamber Press, 1984). Artwork; estimate; galley proof, marked; paste-up, marked; prospectus (copy, paste-up, printed prospectus); correspondence between Sebastian Carter and R. A. Gekoski.
1 envelope. |
1984-1985 |
|
128
|
Gavin Ewart, The balls of the beaver (Sixth Chamber Press, 1984). Layout and estimate; paper samples; galley proof; proof copy; printed copy sewn into a cover; correspondence with Sebastian Carter. Correspondents are Gavin Ewart and Rick Gekoski.
1 envelope. |
1984 |
|
129
|
Sebastian Carter, The book becomes (Rampant Lions, 1984). Copy (typescript and manuscript), marked 'first draft'; copy (typescript, some photocopies), marked 'setting copy'; artwork; layout; paper samples; galley proof, marked; paste-up from galley proof and illustrations; correspondence with Sebastian Carter. Correspondents include Douglas Cleverdon, John Dreyfus, A. R. Dufty, Colin Franklin, Ted Kenney, Paul Needham, Norton Bridge Bookbinders Ltd (Peter Norton), Pierpont Morgan Library (C. A. Ryskamp), University of California, Berkeley (Anthony S. Bliss), University of Texas Humanities Research Center (Decherd Turner), Yushodo Booksellers Ltd.
3 envelopes. |
1981-1987 |
|
130
|
Samuel Johnson, The vanity of human wishes; with eight etchings by Denis Tegetmeier; edited with an introduction by Matthew Hodgart (Rampant Lions, 1984). Copy for a projected edition by Douglas Cleverdon ca. 1930 (stats of 1784 edition, galley proofs; in a folder marked 'Douglas' original texts'); copy edited by Matthew Hodgart (typescript in 2 copies, 1 pasted up into pages, dated 1969); his copy for Introduction typescript, dated 1984); copies of the printed etchings, some signed and dated 1929 (in a folder marked 'spare plates'); layouts; partial paste-ups; various paste-ups and trial settings; miniature dummy; artwork for title; drawing of decorated paper for cover; draft copy for prospectus; correspondence with Will and Sebastian Carter; with etchings of the George Leblanc workshop, Paris. Correspondents include Atelier George Leblanc (M. Lallier), The Johnson Society (John D. Austin, Mary Salloway), Douglas Cleverdon, Louis G. Cowan, Matthew Hodgart, Denis Tegetmeier, Petra Tegetmeier, Thomas Ross & Son (Frances Pomeroy), William Dawson & Sons Ltd (Ian Williams); Woolnough Fine Binding (Derek Allen).
2 envelopes. |
1929-1984 |
|
131
|
Gavin Ewart, A cluster of Clerihews (Sixth Chamber Press, 1985). Estimate; artwork; galley proof, marked; dummy; drawing and proof of cover label; correspondence with Sebastian Carter. Correspondence is with Compton Marbling (Caroline Mann) and Rick Gekoski. With a separate folder (marked 'publicity') enclosing copy, drawings and proofs of announcements for the Sixth Chamber Press).
1 envelope. |
1984-1986 |
|
132
|
John Fuller, The year of the child (not printed). Copy (clipping); pencil drawing by Michael Rothenstein; Correspondence with Sebastian Carter. Correspondents include Michael Rothenstein.
1 envelope. |
1984-1985 |
|
133
|
Ann Smith, ed., An anthology of love; with linocuts by Hellmuth Weissenborn (Acorn Press, 1985). Copy (typescript); estimates; layout; artwork for Acorn Press logo; paste-up; paper sample and trial proofs of one block; correspondence between the Acorn Press (Lesley Weissenborn) and Sebastian Carter, including invoices.
1 envelope. |
1985 |
|
134
|
Peter Redgrove, An explanation of the two visions (Sixth Chamber Press, 1985). Copy for frontmatter; estimate; dummy; galley proof; page proof, marked by the author; copy of the printed pamphlet; copy of the printed prospectus; correspondence with Sebastian Carter. Correspondence is with Compton Marbling (Caroline Mann) and Rick Gekoski.
1 envelope. |
1985 |
|
135
|
Alexander Pushkin, Boris Godunov; translated and adapted by D. M. Thomas (Sixth Chamber Press, 1985). Layouts; drawings; artwork; estimate; paper samples; galley proof; proof of frontmatter, marked; proofs of prospectus; correspondence with Sebastian Carter. Correspondence is with Rick Gekoski, D. M. Thomas, the Stellar Press (W. J. Hummerstone) and includes various delivery notes.
1 envelope. |
1985 |
|
136
|
R. S. Thomas, Destinations; with illustrations by Paul Nash (Celandine Press, 1985). Copy (typescript); page proofs, marked; artwork; correspondence between the Celandine Press (Roger Pringle) and Sebastian Carter.
1 envelope. |
1983-1985 |
|
137
|
R. M. Healey, ed., Grigson at eighty: tributes from friends and admirers; edited by R. M. Healey (Rampant Lions, 1985). Galley proof, marked; page proof, marked, in a cover overprinted 'proof copy'; other papers and correspondence with Sebastian Carter. Correspondents include Ronald Blythe, Jim Ede, Gavin Ewart, Roy Fuller, Jane Grigson, R. M. Healey, Francis Scarfe, Peter Scupham, Julian Symonds, Ann Thwaite, Anthony Thwaite,.
1 envelope. |
1994-1995 |
|
138
|
Ted Hughes, The best worker in Europe; with three drawings by Charles Jardine (Atlantic Salmon Trust, 1985). Various proofs; artwork; dummy; printed pamphlet, marked 'proof copy'; correspondence with Sebastian Carter and other papers. Correspondents include Ted Hughes, Carol Hughes, Charles Jardine.
1 envelope. |
1985-1988 |
|
139
|
Barry Spann, Twenty-seven landscapes (Trianon Press, 1984). Estimates; layouts; paper and ink samples; galley proof, marked; artwork; copy, layouts and various proofs for a prospectus for the book and announcements of an exhibition; correspondence between Sebastian Carter and Barry Spann.
1 envelope, oversize. |
1983-1984 |
|
140
|
Colin Franklin, Printing and the mind of Morris (Rampant Lions, 1986). Copy (typescript); galley proof; page proof; trial setting; other papers and correspondence with Sebastian Carter. Correspondents include the Book Club of California (Shirley Sheffield), Colin Franklin, William Morris Society (Peter Faulkner).
1 envelope. |
1985-1987 |
|
141
|
Paul Theroux, The shortest day of the year: a Christmas fantasy; with three typographical constructions in colour by Sebastian Carter (Sixth Chamber Press, 1986). Estimates; layouts; galley proof; page proof, marked; proofs of typographical constructions; announcement (drawing, artwork, printed announcements); correspondence between R. A. Gekoski and Sebastian Carter.
1 envelope. |
1985-1986 |
|
142
|
Pierre Mac Orlan, La Flamande (not printed). Dummy made up by Walter Hoyle; letters from him to Will Carter.
1 envelope. |
1986 |
|
143
|
J. G. Lubbock, From the snows to the seas (1986). Estimate; drawings for title-page spread; artwork; proofs of binding die; prospectus and order form; catalogue for an exhibition to celebrate the publication (2 copies of the printed catalogue); letters from J. G. Lubbock to Will Carter.
1 envelope, oversize. |
1986 |
|
144
|
Samuel Beckett, As the story was told; edited by Christopher Ricks (Rampant Lions, 1987). Partial copy (manuscript and typescript); various proofs of text and notes, some marked; drawing, artwork and proofs for cover paper; trial settings; paste-up, marked; 'progress/advance copy'; correspondence, including manuscript copy for the notes and photographs of Beckett's original manuscript. Correspondents include Samuel Beckett, Fine Print magazine (Barbara Golden), Peter Gidal, Stephen Heath, Dan Pope, Reading University Library (Michael Bott), Christopher Ricks, George Steiner, Waiting for Godot Books (Gary Oleson).
1 envelope. |
1978-2001 |
|
145
|
George Orwell, Bookshop memories; with a foreword by W. E. Butler and a wood-engraving by Hilary Paynter (Arethusa Pers Herber Blokland, 1987). Copy (partly photocopy of printed text, partly typescript); artwork; various proofs including galley and page proofs; correspondence with Sebastian Carter. Correspondence is with Herber Blokland, including announcements of others of his publications.
1 envelope. |
1986-1987 |
|
146
|
John Updike, The afterlife (Sixth Chamber Press, 1987). Estimates; galley proof; page proof; drawings and artwork for cover; copy and proof of colophon; drawings and proofs of announcement; correspondence with Sebastian Carter. Correspondents include R. A. Gekoski and Woolnough Fine Bindings (Maurice Edwards).
1 envelope. |
1986-1987 |
|
147
|
Memorial service for Glyn Daniel in St. John's College, Cambridge, 28 Feb. 1987. Galley and page proofs, marked; copy of the printed service pamphlet. With a postcard from Ruth Daniel to Sebastian Carter (1989).
1 envelope. |
1987-1989 |
|
148
|
Patrick Galvin, the madwoman of Cork; with eight original lithographs by Kent Jones (1987). Copy (photocopies of printed pages); layout; trial settings; correspondence between Kent Jones and Sebastian Carter.
1 envelope. |
1985-1987 |
|
149
|
Julian Brown, Poems (1988). Layouts; paper and cloth samples; page proof, marked; proofs of spine label and Editorial note; correspondence with Sebastian Carter. Correspondents include Charlotte Brown, Linda Brownrigg, Jenny Stratford.
1 envelope. |
1987-1988 |
|
150
|
Colin Franklin, Poets of the Daniel Press (Rampant Lions, 1988). Page proof, marked; paper sample; other papers and correspondence with Sebastian Carter. . Correspondence is with Colin Franklin.
1 envelope. |
1988 |
|
151
|
Swerving neither to the right nor the left: essays to honour Ian Munro (Keynes Press, 1988). Estimate; layouts; artwork; paste-up; correspondence with Sebastian Carter. Correspondents include Jane Smith, Diana Blair-Fish, Stephen Lock.
1 envelope. |
1988 |
|
152
|
Ted Hughes, The black rhino (not printed). Copy (typescript); correspondence between Ted Hughes and Sebastian Carter.
1 envelope. |
1988 |
|
153
|
Edward Bawden, Engravings, 1927-1929 (Merivale Editions, 1988). Artwork; layouts.
1 envelope. |
1988 |
|
154
|
Sebastian Carter and Will Carter, The Rampant Lions Press miscellany (Rampant Lions, 1988). Copy (typescript, manuscript); artwork; layouts; various proofs; correspondence with Will and Sebastian Carter. Correspondents include Michael Harvey, Brian Shaffer.
1 envelope. |
1987-1988 |
|
155
|
Robert Graves, Cynics and romantics; with a wood engraving by Robert Tilleard (Gruffyground Press, 1989). Estimate; dummy; galley proof; copy (typescript) for prospectus; 2 copies of the printed book and prospectus; correspondence between Sebastian Carter and Anthony Baker.
1 envelope. |
1988-1989 |
|
156
|
Alan Powers, The marches: a picturesque tour; with lithographs with sonnets by Peter Levi (Merivale Editions, 1989). Copy for the sonnets (photocopy of autograph manuscript, typescript); copy for editorial matter (typescript); estimate; drawings; artwork; labels; galley and page proofs of sonnets, marked; proof copy of some of the sheets; printed prospectus; letter from Alan Powers to Sebastian Carter. With a printed invitation to a talk by Peter Sampson.
1 envelope and 1 large oversize folder. |
1989 |
|
157
|
Tony Harrison, Mother of the muses (1989). Drawing of cover; labels; galley proofs (2 sets); page proof; proof copy of the printed book; correspondence with Sebastian Carter. Correspondents include Bob Castle, Tony Harrison, Peter Jolliffe, Michael Mitchell.
1 envelope. |
1989 |
|
158
|
Salman Rushdie, Two stories; with five woodcuts and three linocuts by Bhupen Khakhar (Sixth Chamber Press, 1989). Copy (photocopy of printed stories); estimates; galley proof, marked; proofs of wood and lino cuts, some marked 'Artist's proof and signed'; trial settings of text and illustrations on paper of the edition; paste-up; proofs of wood and lino cuts; correspondence with Sebastian Carter. With a clipping and tear-sheet about Rushdie. Correspondents include R. A. Gekoski, St Edmundsbury Press. Only a few copies of the book were issued. The edition was withdrawn after the publication of The Satanic verses.
1 envelope, oversize. |
1988-1989 |
|
159
|
John Carey, Vegetable gardening; with linocuts by Clare Melinsky (Rampant Lions, 1989). Progressive proofs of colour linocuts; layouts; galley proof; prospectus; paste-up; progressive proofs of colour linocuts; correspondence with Sebastian Carter, including proofs of other linocuts by Clare Melinsky . Correspondence is with John Carey and Clare Melinsky.
1 envelope. |
1988-1990 |
|
160
|
John Updike, In memoriam Felis Felis; with pictures by R. B. Kitaj (Sixth Chamber Press, 1989). Copy (typescript, including poems not in the edition); artwork; page proofs (3 sets, marked); paste-up; proofs of illustrations; correspondence with Sebastian Carter and other papers. Correspondents include:R. B. Kitaj, Sixth Chamber Press (R. A. Gekoski, Peter Selley), John Updike.
1 envelope. |
1988-1989 |
|
161
|
Tony Harrison, Losing touch (1990). Estimate; copy (photocopy of the printed poem); proofs of text; artwork; layouts; proof copy of text pages; copy of the printed book; correspondence between Bob Castle and Sebastian Carter.
1 envelope. |
1990 |
|
162
|
J. G. Lubbock, Love for the earth (Bertram Rota, 1990). Copy, artwork, drawings and proof copy of title-page spread; prospectus (artwork, paste-up, printed prospectus); invitation to a talk by the author; order form. With an envelope annotated by Will Carter, and letters from Lubbock to Sebastian Carter (undated), one enclosing an offprint of an article 'Techniques of illustration'.
1 envelope. |
1990 |
|
163
|
Anthony Baker, Baker's dozen: illustrated poetry published at Sidcot by the Gruffyground Press (Gruffyground Press, 1991). Correspondence between Sebastian Carter and Anthony Baker; layouts; estimates; proofs (all interfiled). With similar papers for the 'stock list' leaflet Poetry and prints from the Gruffyground Press. In a folder marked 'Gruffyground 1991 jobs' and listing jobs and prices.
1 envelope. |
1991 |
|
164
|
Balancing act: Essays to honour Stephen Lock (Keynes Press, 1991). Paste-up from corrected galley proof; correspondence with Sebastian Carter and other papers. Correspondents include British Medical Journal (Jane Smith), Hand Press (Francis Atterbury).
1 envelope. |
1990-1991 |
|
165
|
Salman Rushdie, Haroun and the sea of stories (not published). Estimates; correspondence between Granta Publications Ltd (Bill Buford) and Sebastian Carter.
1 envelope. |
1990-1991 |
|
166
|
John Schroder, Collecting Rupert Brooke (Rampant Lions, 1992). Copy for illustration and captions; layouts; 2 galley proofs, marked, paste-up from galley proof, marked, paper sample, printed cover; correspondence. Correspondents include John Schroder and Timothy Schroder.
1 envelope. |
1991-1992 |
|
167
|
Anthony Sampson, ed., David Astor: tributes by friends and colleagues on the occasion of his eightieth birthday (1992). Paste-up from galley proof, marked; artwork; layouts; correspondence with Sebastian Carter and other papers. Correspondence is with Caroline Robinson and Anthony Sampson.
1 envelope. |
1992 |
|
168
|
T. S. Eliot, Eeldrop & Appleplex (Foundling Press, 1992). Artwork; layouts; page proof (sewn, labelled 'proof copy'); printed copy (labelled 'advance copy'); correspondence with Sebastian Carter and other papers including copy (photocopy of 1917 printing), prospectus (artwork, printed copy), layout of Foundling Press writing paper with proof of wood-engraved device by Edwina Ellis . Correspondents include Valerie Eliot, Edwina Ellis, Jim McCue.
1 envelope. |
1991-1992 |
|
169
|
Edgar Holloway, Etchings and engravings (Merivale Editions, 1992). Paste-up; proof sheets of text for a special portfolio with additional prints.
1 large oversize folder. |
1992 |
|
170
|
Speculum peccatorum, 'The mirror of sinners'; printed in London by Wynkyn De Worde c. 1509-10; with an introduction and translation by Jeremy Griffiths (Roxburghe Club, 1992). Galley proof marked by Anthony Hobson; page proof; paste-up marked by Anthony Hobson; correspondence with Sebastian Carter and other papers. Correspondence is with Jeremy Griffiths, Anthony Hobson, and Lionel Bertrand Sackville-West (Lord Sackville).
1 envelope. |
1991-1992 |
|
171
|
James Reeves, To Robert Graves in Deya (Gruffyground Press, 1991). Correspondence between Sebastian Carter and Anthony Baker; layouts; copies of the printed pamphlet (interfiled).
1 envelope. |
1991 |
|
172
|
Edmund Burke, Table talk (not printed). Estimate; layout; letter from Sebastian Carter to the Foundling Press (Jim McCue).
1 envelope. |
1993 |
|
173
|
Two centuries of surveyors: a list of the members of the Surveyors' Club 1792-1992 (1993). Layouts and trial settings; paste-up from galley proof, marked; proof copy of the sheets; correspondence with Sebastian Carter. Correspondents include Peter Foster, P. D. Hart, H. McIntosh.
1 envelope. |
1989-1993 |
|
174
|
Some book-labels designed by Will Carter (Rampant Lions, 1993). Title from cover label. 2 copies of the printed leaflet (12 leaves, 1 book label printed on each recto). '60 copies printed by Will Carter at the Rampant Lions Press Cambridge 1993'.
1 envelope. |
1993 |
|
175
|
Neil Curry, The bending of the bow (not printed). Correspondence between the Enitharmon press (Stephen Stuart-Smith) and Sebastian Carter; with printed announcements from this publisher.
1 envelope. |
1993 |
|
176
|
T. S. Eliot, Four quartets: a specimen spread printed at the Rampant Lions Press by Sebastian Carter (1994). Printed copy, numbered 5/8. Laid in is a slip listing the recipients of the 8 copies.
1 envelope, oversize. |
1994 |
|
177
|
R. A. Gekoski, Gekoski: the first 50 years (Sixth Chamber Press, 1994). Copy (typescript); layouts; galley proof, marked; paste-up incorporating galley proofs of text, marked; letters to Sebastian Carter. Letters are from R. A. Gekoski.
1 envelope. |
1994 |
|
178
|
J. G. Lubbock, Landscapes of the spirit (Bertram Rota, 1994). Copy (typescript); drawings for title-page spread; artwork; layouts; trial setting; printed sheets of prelims; paste-up of prospectus; proof of order form; paste-up (marked 'Typesetters' galleys 1st paste-up'); another paste-up, marked; Correspondence between J. G. Lubbock and Sebastian Carter.
1 envelope, oversize. |
1993-1994 |
|
179
|
The Dostoyevsky suite: ten wood engravings by Anatolii Ivanovich Kalashnikov; with an introduction by W. E. Butler (Primrose Academy, 1994). Layouts, drawings, galley proof of text, page proof (in folder marked 'First proofs'); progressive proofs of colour engravings (in folder marked 'Edition progressives'); paste-up; set of proofs of the colour engravings (in folder marked 'My set of colour proofs'); proof copy of the printed sheets (marked on first page 'RLP set of sheets'), with annotations by Sebastian Carter; layout; estimate; correspondence between Sebastian Carter and W. E. Butler.
2 envelopes. |
1993-1994 |
|
180
|
John Webster, A fayre and happy milke-mayd (Gruffyground Press, 1995). Page proofs; proof copy; correspondence between Sebastian Carter and Anthony Baker (all interfiled).
1 envelope. |
1995 |
|
181
|
Steven Tuohy, ed., James Mosley: a checklist of the published writings 1958-95 (Rampant Lions, 1995). Galley proof; page proof, marked; layouts; artwork; correspondence between Stephen Tuohy and Sebastian Carter, and other papers.
1 envelope. |
1995 |
|
182
|
The Rubaiyat of Omar Khayyam: twenty-four wood engravings by Anatoly Ivanovich Kalashnikov; with an introduction by W. E. Butler (Primrose Academy, 1995). Layouts; estimate; galley proof and page proof of text; artwork; progressive proofs of colour engravings; sets of the printed engravings; proof copy of the sheets of the book; correspondence between Sebastian Carter and W. E. Butler.
1 envelope. |
1994-1995 |
|
183
|
David Sutton, The planet happiness; with a wood engraving by Christopher Daunt (Gruffyground Press, 1996). Layouts; proofs of wood engraving; galley and page proofs; copy of the printed book; correspondence with Sebastian Carter (all interfiled). Correspondence is with Anthony Baker and Christopher Daunt.
1 envelope. |
1995-1996 |
|
184
|
Paul Dehn, Chez Monsieur Prieur, and David Sutton, Success (both Gruffyground Press, 1997). Correspondence with Sebastian Carter, with trial settings and proof copies. With similar papers for the 'stock list' leaflet Poetry and prints from the Gruffyground Press, and a Christmas card (1997). Correspondents include Anthony Baker, Richard Parker Crook, Simon Brett.
1 envelope. |
1995-1997 |
|
185
|
Alfred Tennyson, Four sonnets to a coquette (Gruffyground Press, 1997). Correspondence with Sebastian Carter; layouts; proof copy, marked; copy of the printed pamphlet (interfiled). Correspondence is with Anthony Baker and John Purcell.
1 envelope. |
1996-1997 |
|
186
|
R. S. Thomas, Six poems (Celandine Press, 1997). Correspondence with Sebastian Carter and other papers including page proofs, marked, and marble paper samples. Correspondents include the Celandine Press (chiefly Roger Pringle), and R. S. Thomas.
1 envelope. |
1997 |
|
187
|
Festschrift for Ted Hughes (not printed). Correspondence between Sebastian Carter and Nick Gammage.
1 envelope. |
1997-1998 |
|
188
|
Felix Timmermans, Saint Nicholas in distress, in an English version by Sheila Hönigsberg; with an afterword by Jeroen Van Duyn and engravings by John Lawrence (Society of Wood Engravers, 1998). Copy (typescript, 2 copies); proofs of vinyl engravings; paste-up from galley proof, marked; page proofs (3 sets), variously marked; dummy; finished book; correspondence with Sebastian Carter. With a copy of Selma Lagerlöf, The flight into Egypt (Society of Wood Engravers, 1997).
1 envelope. |
1998 |
|
189
|
Sebastian Carter, Miscellany 2: a new collection of work completed or projected, or done to display types and pictures, printed at the Rampant Lions Press (Rampant Lions, 1998). Copy (typescript, manuscript); artwork; layouts; various proofs; correspondence with Sebastian Carter. Correspondents include Peter Baldwin, Simon Brett, Clare Melinsky.
1 envelope. |
1998 |
|
190
|
Sebastian Carter, The song of the Gruffyground Press (1998). Copy (autograph manuscript); layouts; copy of the printed pamphlet; correspondence with Sebastian Carter. Correspondents include Anthony Baker, David Chambers, John Mole, Martyn Ould, Leslie Stanley.
1 envelope. |
1998 |
|
191
|
J. G. Lubbock, Loves, lands and waters (Bertram Rota, 2000). Copy (typescript); artwork; galley proof of machine-set text; proof copies of text leaves, marked; layouts; printed prospectus and order form; correspondence with Sebastian Carter. Correspondents include Karli Frigge, J. G. Lubbock, G. Percival, Anthony Rota.
1 envelope, oversize. |
1999-2000 |
|
192
|
Tony Harrison, Laureate's block (Celandine Press, 2000). Copy (pasted up from previous publication); galley proof, marked; layout; page proof, marked; printed cover labels; correspondence between the Celandine Press (Roger Pringle) and Sebastian Carter, and other papers.
1 envelope. |
1999-2000 |
|
193
|
Alison Brackenbury, The story of Sigurd; with a wood engraving by Jane Lydbury (Gruffyground Press, 2002). Estimate; layouts, galley proof; page proof, marked; printed prospectus; layout and proof copy of a Christmas card using the engraving; correspondence with Sebastian Carter. Correspondence is with Anthony Baker and Harry McIntosh.
1 envelope. |
2001-2002 |
|
194
|
Charlotte Mew, The trees are down; with a wood engraving by Linda Holmes (Gruffyground Press, 2002). Copy; layouts; page proofs, marked; printed prospectus; layouts of a Christmas card using the engraving; correspondence between Sebastian Carter and Anthony Baker.
1 envelope. |
2002-2003 |
|
195
|
A Gruffymaufry (Gruffyground Press, 2002). This was a portfolio of 8 ephemera, of which 2 were printed especially for inclusion. Copy, layouts and proofs of the new ephemera; copy of the printed portfolio; correspondence between Sebastian Carter and Anthony Baker.
1 envelope. |
2001-2002 |
|
196
|
I syng of a myden: a medieval carol (Gruffyground Press, 2003). Copy for colophon; layout and estimate; galley proof; paste-up; proof copy; correspondence between Sebastian Carter and Anthony Baker.
1 envelope. |
2003 |
|
197
|
John Levett, A clearer light; with a wood engraving by Barry Woodcock (Gruffyground Press, 2004). Copy (typescript with manuscript alterations); layouts and estimates; page proofs sewn into a cover, marked; printed prospectus; correspondence with Sebastian Carter. Correspondence is with Anthony Baker and Barry Woodcock.
1 envelope. |
2003-2004 |
|
198
|
Philip Larkin, Tops (Gruffyground Press, 2004). Copy (typescript); galley proof; layouts and estimate; page proof sewn in a cover, marked; copy of the printed prospectus; correspondence between Sebastian Carter and Anthony Baker.
1 envelope. |
2003-2004 |
|
199
|
David Oxtoby, etchings (not printed). Four leaves from a dummy. 'Never produced' - note on the first leaf by Sebastian Carter.
1 large oversize folder. |
1965 |
|
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