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Mostly research notes covering subjects on which John Dreyfus worked during a long period or for more than one publication. These are as follows:
Box 51 = William Morris
Boxes 52-53 = T. J. Cobden-Sanderson
Boxes 54-55 = Emery Walker
Box 56 = Edward Johnston, Harry Kessler, and the Cranach Press
Box 57 = Edward Johnston
Box 58 = Eric Gill
Boxes 59-60 = Jan Van Krimpen
Box 61 = Gerard Meynell and the Westminster Press
Box 62 = Robbert Gibbings and the Golden Cockerell Press, including a glass negative photograph of Gibbings (with another negative showing Bruce Rogers, Emery Walker, and Wilfred Merton)
Box 63 = Frederic Warde, Beatrice Warde, Charles Malin
Box 64 = John Baskerville
Box 65 = William Starling Burgess and the design of Times Roman
Box 66 = John Baskerville, Giovanni Mardersteig, Bruce Rogers
Box 67 = Bruce Rogers
Boxes 68, 69 = the history of spectacles
Box 70 = D. B. Updike; the Curwen Press; Henry Lewis Bullen; International Typographic Council, Paris, France May 1926 (an album of original documents); Ashendene Press Subiaco type; Porter Garnett; Hebrew typography; documents about attempts to obtain international protection for typeface designs through new legislation; F. W. Goudy; miscellaneous subjects (one folder)
Boxes 71-72 = 'British and European printing history and printed ephemera' and 'American printing history and printed ephemera' (Dreyfus's labels); with other printed matter on various subjects including L. W. Wallis, Type design developments 1970-1985 (typescript in a plastic comb binding)
Boxes 73-75 = small loose-leaf notebooks containing speaking notes for lectures; but some appear to be general research notes
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